A finely observed character study flattened by an underwhelming romance.
An unexpected reunion with a lost love leads a man to re-evaluate his life and relationships in Duffy’s (Stockboy, 2013, etc.) third novel.
Timothy Anderson is a college student and aspiring novelist. Following graduation, he works at a movie theater, where he hopes to find a girlfriend. He answers a personal ad and goes on a perfect date with Melody. Timothy believes she’s his true love, but Melody abruptly disappears. Years pass, and Timothy meets Cindy. They move in together and struggle with money issues and family complications (Cindy’s dad is a compulsive gambler). Timothy never forgets about Melody though, and he finds her on Facebook. She’s married and has three young kids, but that doesn’t stop them from having an affair. As Timothy re-evaluates his choices and relationships, a series of events puts Cindy in danger and leads Melody to weigh her feelings for Timothy and her husband. Duffy’s protagonist is an earnest young man whose attempts at becoming a writer are waylaid by family troubles and making a living. Many readers may relate to Timothy’s succession of part-time or low-paying full-time jobs and his attempts to ascend the career ladder. Although they come from different backgrounds, Melody and Cindy are likable supporting characters whose family dilemmas mirror Timothy’s. The weakest element here is Timothy’s relationship with Melody. She appears only briefly at the beginning, and her character development is limited to their first and only date. Although the date ends well, there is little to suggest she shared Timothy’s passion. Their affair would have been more believable if she had a bigger role from the outset of the novel.
A finely observed character study flattened by an underwhelming romance.Pub Date: Nov. 6, 2014
ISBN: 978-1502831927
Page Count: 268
Publisher: CreateSpace
Review Posted Online: June 8, 2015
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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