An uninspired snapshot of the country’s current moment.
In Duffy’s sequel to Stockboy (2013), Phillip Doherty works at a novelty store again and feels torn between the East and West coasts—and between two different women.
As this novel opens, Phillip is despondent. His second book was a critical success but a commercial failure and he and his fiancee, Melissa, are having relationship problems, in part, due to financial strain. She works tenaciously at her job, but Phillip struggles to find a position. He eventually resigns himself to working, again, as a stockboy at Milton’s World of Fun—this time in San Diego instead of New York. As the pressures of everyday life build, Phillip finds himself looking at online-dating websites and becomes enamored with a teacher named LeAnn Kennedy. Melissa and Phillip soon agree to separate, and Phillip then decides to drive to New York to start his life over despite Californian LeAnn’s romantic overtures. Almost as soon as Phillip arrives, an unnamed virus strikes the country, causing closures and layoffs in the city and elsewhere. Lonely Phillip finds his heart pulled back to San Diego by both Melissa and LeAnn. Duffy traverses a lot of ground in this novel. By effectively setting the action duringthe current Covid-19 pandemic, Duffy offers intriguing insights into the plight of workers deemed essential or nonessential as well as the measures businesses take as they struggle to stay afloat. However, the prose feels flabby and polemic. Characters discuss how the country has become a “stockboy nation” because, as Phillip says, “We’re a bunch of people peddling items other people created to make money to survive.” The repetition cements Duffy’s point but does nothing to develop the argument further. The dialogue is often stilted and unnecessarily expository, and although Duffy provides glimpses of Melissa’s and LeAnn’s inner lives, the focus largely remains on Phillip, who’s often passive and indecisive. When Phillip receives a visit in the latter part of the novel, it’s a pleasant surprise, but it doesn’t affect him very much as a character.
An uninspired snapshot of the country’s current moment.Pub Date: June 11, 2020
ISBN: 979-8-65-007277-5
Page Count: 261
Publisher: Self
Review Posted Online: Aug. 3, 2020
Review Program: Kirkus Indie
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
