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THE SEPARATION

An ambitious story that winds up feeling hollow.

Duffy’s (To Never Know, 2016, etc.) sci-fi novel tells of a dystopian American future in which children are separated by gender soon after birth and kept from their parents for 22 years.

The rules of the current society were implemented in 2163 as population control. Until this change, many children were involved in criminal activity, and numerous colleges had shut down due to low enrollment. In the new order, kids are raised and educated away from their parents and never learn about the opposite sex, dating, or procreation until they’re allowed back into the “mixed” world, post-college. However, even in a system that demands perfection, Carolina and Kevin Parker’s child, Finn, stands out, as he thrives on competition. He later becomes a heralded mathematician with a good job in the mixed world, where he meets a woman, Angela, whom he considers his intellectual equal. But everything falls apart after the two marry and their son, Leonardo, is taken away at birth. Finn gets restless, divorces Angela, and becomes a teacher; when he finds that he can’t endure the separation from Leonardo, he decides to visit his son’s school to make contact with him. That’s illegal, and as a result, Finn and Angela are barred from ever seeing their child again. Soon, Finn finds out there’s more to the separation laws than the general public knows, and he finds himself banished, fighting to survive. The overall premise of Duffy’s story is intriguing, and it takes opportunities to dig into such topics as sexual politics, religion, freedom, and destiny. However, the prose is stale and the dialogue is stiff. When Finn proposes to Angela, for instance, he tells her, “My heart can’t beat without the thought of you passing my mind at least 10 times per heartbeat.” The worldbuilding also leaves something to be desired; for example, there’s no sense of who the leaders are, other than that they’re a rich, manipulative group. Also, readers don’t get to see how anyone else is affected by the society’s rules, other than Finn and his family members.

An ambitious story that winds up feeling hollow.   

Pub Date: Jan. 11, 2018

ISBN: 978-1-983520-87-7

Page Count: 306

Publisher: CreateSpace

Review Posted Online: May 30, 2018

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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A BLIGHT OF BLACKWINGS

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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