Able tribute to a boundary-smashing activist.
Compact, insightful biography seeks to restore the historical importance of the energetic, light-skinned NAACP secretary whose leadership laid the groundwork for the civil-rights movement.
As a result of forced sexual relations on both sides of his family, Walter White (1893–1955) was only 5/32nds black. Some historians have seen the blue-eyed, blond-haired activist as “a freak of nature who somehow used his fair skin to deceive both white and black America,” writes Dyja (The Moon in Our Hands, 2005, etc.). The author portrays White as a witty, ambitious man who had the courage and passion to challenge Jim Crow segregationist laws. Raised black but able to pass for white, he used this as a tool when he joined the NAACP in 1918 to investigate the growing number of lynchings in the South. Risking his own life numerous times, he lured lynchers into proudly confessing murder and torture to a man they thought was white. He wrote articles and gave incendiary talks to highlight his findings, using the mass media to gradually turn Americans against lynching. In New York, White was an early member of the Harlem Renaissance, though his literary success was limited; he wrote an anti-lynching novel (Fire in the Flint, 1924) and encouraged other writers to portray African-American life in all its complexity. He became secretary of the NAACP in 1931 and incessantly championed civil rights, making the cover of Time in 1938. He effectively blocked the Supreme Court nomination of John Parker, who supported black disenfranchisement; his relentless pressure resulted in Truman’s landmark 1948 executive orders ending discrimination in federal employment and requiring equal opportunity in the armed forces. His crowning legacy was the 1954 Supreme Court ruling on Brown v. Board of Education, which desegregated schooling. White’s 1949 marriage to a white woman gave ammunition to critics who diminished his role in African-American history by saying he never believed he was black, but Dyja successfully shows that he transcended narrow definitions of race and worked for humanity.
Able tribute to a boundary-smashing activist.Pub Date: Nov. 7, 2008
ISBN: 978-1-56663-766-4
Page Count: 204
Publisher: Ivan Dee/Rowman & Littlefield
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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