A persuasive, sympathetic, scattered insider’s report on a broken system.
A memoir from an emergency department doctor on Chicago's South Side.
Fisher, who graduated from medical school in 2001, started working as an attending physician in the University of Chicago Medical Center in 2006. Beginning his first book with a dramatic account of how the emergency room faced its first Covid-19 cases in February 2020, he moves back and forth through time, alternating between tightly focused sections on the cases he sees on a given day and letters ostensibly directed toward some of those patients and others. The author’s discussions of the initial impact of Covid-19, which “smashed through the South Side's multi-generational homes” and where standing near unmasked patients left him feeling “like being in the same room with someone holding a gun,” are the most compelling. But the book, clearly started before the pandemic, is not so much about the effects of the pandemic—when the emergency department was less busy than usual (due to “social distancing orders and fear” of the virus), populated mainly by the victims of gun violence or drug overdoses—but rather the inadequacies of health care for Black citizens in the South Side and other urban areas. In the chapters about particular days in the emergency room, Fisher delivers sharp portraits of individual patients. However, like the doctor who treated them, typically only for a few minutes, we have no idea what happens to them following the visit. The essays between these chapters of reportage chronicle the author’s life and his frequent frustration with a medical system that cares more about making money than caring for patients, especially those on Medicare. His indictments of the system are consistently convincing, but framing them as letters to patients is an awkward literary device, making the narrative disjointed. Nonetheless, the text is well written and compassionate and exposes countless problems within the American medical machine. Ta-Nehisi Coates provides the foreword.
A persuasive, sympathetic, scattered insider’s report on a broken system.Pub Date: March 22, 2022
ISBN: 978-0-593-23067-1
Page Count: 272
Publisher: One World/Random House
Review Posted Online: Dec. 29, 2021
Kirkus Reviews Issue: Feb. 1, 2022
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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