by Thomas Fleming ‧ RELEASE DATE: Jan. 10, 2006
A Caine Mutiny for the Reconstruction era. Well done, even if some fans of historical fiction will prefer their fiction a...
Suppose, just suppose, the Radical Republicans decided that the amnesty Ulysses S. Grant offered to Johnny Reb didn’t have a sufficiently punitive sting. What might have happened had they put Robert E. Lee—Saddam Hussein in gray—on trial for treason?
Yeah, and what would have happened if Julius Caesar had had a machine gun? Hardhearted readers of Civil War history have little patience with counterfactuals, but such departures from the strict truth can be highly instructive—and besides, veteran historian Fleming (Washington’s Secret War, 2005) knows how to spin a tale. As his latest opens, New York news mogul Charles Dana, well embedded inside the War Department, is hopping mad, bent on punishing the entire rebel South for its perfidy, and he expects his Irish flunky Jeremiah O’Brien to hop to the cause by whispering into a few well-placed Union ears, agitating for Confederate war hero Robert E. Lee’s arrest and trial for treason—and a finale in which Lee swings at the end of a rope. O’Brien, himself embedded with a Louisiana fille de joi who has just a little more wartime experience than she lets on, balks. Dana barks. A kangaroo court is assembled; embittered abolitionists and anti-rebels such as Benjamin Butler and Ambrose Burnside fulminate; strict constructionists object; and much legalistic back and forth ensues even as the behind-the-scenes action takes on the dimensions of a Len Deighton plot. Even when Grant takes the stand and contradicts key Radical assertions, and even as other rebel-hating Yankee generals tear up when Lee speaks of honor, Fleming keeps things plausible—and, happily, takes pains that his dialogue not slide into anachronism. And whether intentional or not, it’s all quite timely, as latter-day politicos debate states’ rights and the legality of the Dred Scott decision.
A Caine Mutiny for the Reconstruction era. Well done, even if some fans of historical fiction will prefer their fiction a little more, well, historical.Pub Date: Jan. 10, 2006
ISBN: 0-765-31352-9
Page Count: 336
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2005
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Eric M.B. Becker
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by Paulo Coelho ; translated by Zoë Perry
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