Insightful, sometimes shocking, and often disheartening.
A trip through “some of the saddest places on earth” that the author describes as “less sad than revelatory and appreciative.”
After more than 30 works in his genre, prolific, award-winning crime novelist Cook (A Dancer in the Dust, 2015, etc.) tries his hand at nonfiction with a quirky but engrossing travel book of 28 short chapters whose theme—unhappy locales throughout the world—delivers on its promise. In addition to the usual suspects—Auschwitz, Hiroshima, Verdun, ground zero and the former World Trade Center—there are some decidedly more obscure places. Phu Quoc is a small island where America’s Saigon ally kept prisoners during the Vietnam War. New Echota is the former capital of the Cherokee nation in Georgia. Historians often lament America’s forced expulsion of the tribe to Oklahoma in the 1830s; in fact, they endured a death march similar to Bataan’s, with much the same rate of starvation, abuse, and death. As the world’s two leading sites of suicide, Japan’s Aokigahara Forest, at the base of Mount Fuji, and the Golden Gate Bridge share a chapter. Of the former, Cook writes, “since 1950, over five hundred people have come here to die by their own hand. In 2003 alone, one hundred bodies were found by the wood’s hikers and volunteer searchers.” An entire African nation, Ghana, occupies two. It is far from the poorest and not particularly violent, but it is a land of crumbling infrastructure, terrible sanitation, and quietly corrupt leaders who soak up the foreign aid. More than one horror turns up in these pages. A comic-book character today, the real Bluebeard was a 15th-century nobleman in a small French town who raped and tortured to death hundreds of young boys over nearly 15 years until he offended a local bishop.
Insightful, sometimes shocking, and often disheartening.Pub Date: Oct. 2, 2018
ISBN: 978-1-68177-847-1
Page Count: 384
Publisher: Pegasus
Review Posted Online: July 29, 2018
Kirkus Reviews Issue: Aug. 15, 2018
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
