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THE BAKER'S TALE

RUBY SPRIGGS AND THE LEGACY OF CHARLES DICKENS

A smudgy parable of industrialization wrapped in a sappy love story, Hauser’s new novel once again piggybacks off the...

Extrapolating from a Charles Dickens quote and “comingling” his own words with those of Dickens again, Hauser (The Final Recollections of Charles Dickens, 2014, etc.) delivers a preachy vision of Victorian England where idyllic romance and rapacious capitalism collide.

Hauser’s latest pastiche shares an era with Charles Dickens, as well as a linguistic style, some sentimentality, and a swathe of social concerns. But Hauser’s politics are more bluntly stated—“Crafty avarice grows rich. Honest labour remains poor”—and neither his storytelling nor his characters offer the inventive magic of the original. Hauser’s heroine is lovely, blameless, orphaned Ruby Spriggs, who is snatched from poverty to grow up in the motherly care of a baker and then, with the aid of kindly benefactor Octavius Joy, becomes a teacher. It’s also through Joy that Ruby meets saintly, handsome pillar of integrity Edwin Chatfield, who's employed by dastardly coal manufacturer Alexander Murd. Murd’s scheming, snobby daughter Isabella’s infatuation with Edwin leads to the crushing of an innocent heart as Murd bullies Ruby into leaving the country without explaining her actions to anyone, supposedly for the sake of Edwin’s good name and future prospects. As heartbroken Ruby sails to Boston and settles there, Edwin, mystified by her disappearance, visits one of Murd’s coal mines in Lancashire, an opportunity for some moral tub-thumping on the truly appalling working conditions of the miners, later underlined by a pit accident that kills 120 workers. Ruby’s eventual letter of explanation is the key to the story’s swift resolution, which features a shipwreck and miraculous rescue, retribution for the wicked, salvation for the good, and a homily on love and marriage.

A smudgy parable of industrialization wrapped in a sappy love story, Hauser’s new novel once again piggybacks off the achievements of a genius.

Pub Date: Dec. 15, 2015

ISBN: 978-1-61902-598-1

Page Count: 256

Publisher: Counterpoint

Review Posted Online: Oct. 5, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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