An engrossing and often heartbreaking look at a singular attempt to achieve some measure of racial equality in the U.S.
An in-depth account of the rise and fall of Soul City, North Carolina, designed to be a new city focused on racial equality.
Healy, a law professor and North Carolina native, provides a comprehensive history of the town, proposed for an area “in the middle of what one roadside billboard boldly proclaimed ‘Klan Country.’ ” Introduced in 1969 by civil rights leader Floyd McKissick (1922-1991), Soul City was meant to be “a new kind of city, one with a stronger sense of community, a deeper regard for the well-being of others, and a more egalitarian distribution of wealth. He also hoped to incorporate the latest innovations in social policy and urban design, boasting that Soul City would be ‘a showpiece of democracy in a sea of hypocrisy.’ ” Throughout this deft historical narrative, the author provides useful context and perspective about the civil rights movement and the lives of the key players in the venture, including McKissick, the government officials who opposed it (one was Jesse Helms, who “had little enthusiasm for the kind of federal programs supporting Soul City, and even less enthusiasm for the project’s goal of racial uplift”), the journalists who reported on it, and the people who lived there. Healy ably delineates the complex process of creating a city from scratch, which involved promotion, fundraising, grueling bureaucracy and political attacks, and attempting to convincing people and businesses to relocate to the proposed city—not to mention the devastating series of articles in the Raleigh News & Observer alleging fraud and corruption on the part of McKissick. Charting this significant but overlooked piece of modern American history, the author’s intent “is not to assign blame. It is to understand the forces that lead to its failure and the lessons it offers for the pursuit of racial equality today.” On that note, the author succeeds admirably.
An engrossing and often heartbreaking look at a singular attempt to achieve some measure of racial equality in the U.S.Pub Date: Jan. 26, 2021
ISBN: 978-1-62779-862-4
Page Count: 448
Publisher: Metropolitan/Henry Holt
Review Posted Online: Oct. 24, 2020
Kirkus Reviews Issue: Nov. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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