by Thomas Hood and Dwight Van de Vate ‧ RELEASE DATE: Jan. 10, 2017
A dense but comprehensive investigation into the concepts of a leading sociologist.
A debut volume of criticism introduces readers to the legacy of Erving Goffman.
Goffman was one of the most influential sociologists of the 20th century, making significant contributions to the study of the individual, society, and the intersection of the two. In these lectures, originally delivered as part of a class offered at the University of Tennessee, Knoxville, professors Hood and Van de Vate track Goffman’s ideas over the course of his major works, including The Presentation of Self in Everyday Life, Stigma, Strategic Interaction, and others. Beginning with the premise that Goffman “is trying to frame general laws about the behavior of human beings in our society,” the authors attempt to define the notions of sociology, society, the human being, and identity, then proceed to Goffmanian explanations of social behavior, self-knowledge, and identity games that create an illusion of reality. The second half of the book supplies an extensive exploration of Frame Analysis, which the authors believe to be “Goffman’s most complete work.” Poorly received at the time of its publication, the volume details how an individual’s perception of society is organized by conceptual “frames,” some of them social and some of them natural. The authors elucidate Goffman’s importance in the hopes of presenting him to a new generation of students seeking to understand the views of one of sociology’s greatest innovators. The book is structured so that each section is authored by either Hood or Van de Vate, though each writes in the same dense academic style that makes heavy use of quotations and specialized language. They have produced an undeniably thorough primer for those getting into Goffman. That said, the work assumes the reader has some background in the study of sociology (enough to know what the dramaturgical perspective is, for example) and the way academic arguments are constructed. General readers should be wary, but anyone looking for a deeper dissection of framing analysis should find much of interest here.
A dense but comprehensive investigation into the concepts of a leading sociologist.Pub Date: Jan. 10, 2017
ISBN: 978-1-5245-7267-9
Page Count: 312
Publisher: Xlibris
Review Posted Online: Feb. 5, 2019
Review Program: Kirkus Indie
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by Thomas Hood
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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