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BACKFIELD PACKAGE

Quarterback Joe Mitchell and his tightknit backfield are leading the Hillcrest High Panthers to a second straight championship season and have promised to go on to college together. Then word spreads that a major football school is interested in Joe, and only Joe, while a newspaper article claims that he's actually carrying his team single-handedly. Joe's certainty melts into confusion and doubt: Is he really that good? Should he stand by his promise, or keep his options open? Meanwhile, the shaken Panthers barely beat a weak rival and face an undefeated powerhouse for the season's last game. Joe's labored, repetitive agonizing slows the first half, but the pace picks up; Dygard can always be relied on for vivid sports action, and the climactic gridiron battle is as exciting as any in sports fiction. Finally, after the Panthers lose by a whisker, Joe realizes he's made his decision, most of his friends, clearer-eyed, are unsurprised. Uneven, but a strong finisher. (Fiction. 12-16)

Pub Date: Sept. 21, 1992

ISBN: 0-688-11471-7

Page Count: 208

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1992

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SHOT CLOCK

A provocative shot but far from a slam-dunk.

After a promising young talent is shot dead on a neighborhood basketball court, the game takes on new meaning for a community in mourning.

Middle schooler Tony “Tone” Washington lost a close friend when a police officer opened fire on honor student Dante Jones, cutting the nationally ranked basketball player’s life short. The working-class Milwaukee neighborhood Tone and his family live in is no stranger to injustice, so in the aftermath, a rally, protest, and candlelight vigil are organized in tragically routine fashion. All the while, Tone’s focus is on making an elite local AAU basketball team, partially in commemoration of his late friend but also because—despite recognizing some of the disconcerting aspects of so much of your future being determined as a young teen—the sport takes up a significant space in the lives and dreams of the boys in his neighborhood. But the overlap of hoop dreams and police brutality ultimately makes for some uncomfortable and uneven narrative beats. As Tone narrates his interactions with Dante’s younger brother, Terry, the latter boy is obviously and justifiably angry and hurt because of his very personal loss, making Tone’s dogged focus on basketball strike a hollow note. Despite some compelling reflections on community and emotional health, sports clichés abound on the way to the national championship, and the impact of Dante’s death only three months earlier is not fully explored. Most characters are assumed Black.

A provocative shot but far from a slam-dunk. (Fiction. 12-16)

Pub Date: Sept. 6, 2022

ISBN: 978-0-06-306959-6

Page Count: 304

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: July 12, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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I HAVE A BAD FEELING ABOUT THIS

Without that frame, this would have been a fine addition to the wacked-out summer-camp subgenre.

Survival camp? How can you not have bad feelings about that?

Sixteen-year-old nerd (or geek, but not dork) Henry Lambert has no desire to go to Strongwoods Survival Camp. His father thinks it might help Henry man up and free him of some of his odd phobias. Randy, Henry’s best friend since kindergarten, is excited at the prospect of going thanks to the camp’s promotional YouTube video, so Henry relents. When they arrive at the shabby camp in the middle of nowhere and meet the possibly insane counselor (and only staff member), Max, Henry’s bad feelings multiply. Max tries to train his five campers with a combination of carrot and stick, but the boys are not athletes, let alone survivalists. When a trio of gangsters drops in on the camp Games to try to collect the debt owed by the owner, the boys suddenly have to put their skills to the test. Too bad they don’t have any—at all. Strand’s summer-camp farce is peopled with sarcastic losers who’re chatty and wry. It’s often funny, and the gags turn in unexpected directions and would do Saturday Night Live skits proud. However, the story’s flow is hampered by an unnecessary and completely unfunny frame that takes place during the premier of the movie the boys make of their experience. The repeated intrusions bring the narrative to a screeching halt.

Without that frame, this would have been a fine addition to the wacked-out summer-camp subgenre. (Fiction. 12-14)

Pub Date: March 1, 2014

ISBN: 978-1-4022-8455-7

Page Count: 256

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 14, 2014

Kirkus Reviews Issue: Feb. 1, 2014

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