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GREEN GRASS, RUNNING WATER

Following his successful debut novel Medicine River (1990), part-Cherokee author King (Native American Studies/Univ. of Minnesota) returns with a lively, engagingly loopy tale of modern Indians in Canada who are struggling to find their identity while still fighting white oppression. Lionel Red Dog is a disaffected Blackfoot on the eve of his 40th birthday; he sells televisions in a rural part of southern Alberta, but tells himself that one day he'll go back to college to get his Ph.D. like his uncle Eli. Meanwhile, his relationship with his girlfriend Alberta lacks certainty also, since he has to share her with his lawyer cousin Charlie, but she resists the mere mention of marriage, preferring to have a child by artificial insemination than be saddled with any man. Things begin to change on that fateful day, however, when Lionel and his aunt stop to pick up four ancient Indian hitchhikers who take an avid interest in him. As all paths converge on the reservation in time for Sun Dance, Lionel is brought back to his tribal roots by family and the powers-that-be, becoming a protector of the sacred ceremony, while Uncle Eli finally wins his one-man stand against the corporation that built a massive dam just upriver from his mother's log cabin- -with a little help from trickster Coyote, whose dancing summons an earthquake. Combining traditional storytelling methods, a multitude of Native voices, and a tireless, subtle wit that culminates in an elaborate joke honoring the Columbus Quincentennial, the result is both comic and disturbingly accurate in its depiction of Indian realities today. Eloquent and outrageous: a richly rewarding saga from a first- rate talent.

Pub Date: March 4, 1993

ISBN: 0-395-62304-9

Page Count: 352

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1993

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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