Amusing as snarky social commentary on the world of Seattle have-nots.
Lane was sure he had escaped Lake City for good. But suddenly he's back slicing meat at a discount deli counter and grubbing his mom's boyfriend's beers. This calls for extreme measures.
Lake City is a neighborhood on the fringes of Seattle: "the mistress that grown-up Seattle kept around from its younger, untamed years. The one with electric blue eyeliner and a missing incisor," "the leaky, yellowed fridge in a remodeled kitchen of granite countertops and fresh stainless steel appliances." In other words, the part of town left behind by the Microsoft/Amazon/Starbucks explosion. After landing a wealthy girlfriend at the University of Washington, Lane was able to leave his trashy roots behind and reinvent himself as a married Columbia grad student in New York City. But shortly after 9/11, the dream is over—Lane’s wife, Mia, has been supporting the couple and paying Lane's tuition with her family’s money, but now her father is instructing her to dump Lane and cut off funds. Lane finds himself back home at Christmastime, sleeping in his mom's TV room, driving her car, working at the local Fred Meyer discount store, trying desperately to avoid being reabsorbed into the loser lifestyle of the drug- and booze-addled locals he grew up with. In a frantic bid to make enough cash to get back to New York and reclaim his beautiful life, he gets involved in a creepy scheme a wannabe adoptive couple has cooked up to sabotage their little boy's birth mother so they will be awarded permanent custody. Kohnstamm (Do Travel Writers Go to Hell?, 2008) stirred up a hullaballoo with his Hunter S. Thompson–style exposé/memoir of the travel-guide industry; a cynical worldview and gonzo aesthetic remain in play here. His delusional, narcissistic antihero and unsympathetic supporting characters—some dangerously close to offensive stereotypes—don't catch many breaks as they ricochet from one nasty situation to the next, with cheap beer, repellent food (beware a riff on the composition of deli turkey), illegal drugs, and other local specialties never far from hand.
Amusing as snarky social commentary on the world of Seattle have-nots.Pub Date: Jan. 8, 2019
ISBN: 978-1-64009-142-9
Page Count: 320
Publisher: Counterpoint
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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