by Thomas L. Friedman ‧ RELEASE DATE: April 5, 2005
But Friedman is generally enthusiastic about world-changing trends such as just-in-time inventorying, supply-chaining and...
Of globalism and its contented.
New York Times columnist Friedman (Longitudes and Attitudes, 2002, etc.), always glad to find possibilities for hope in the most tangled international trends, offers a mantra to accompany the outsourcing of jobs in the brave new transnational capitalist world: “The playing field is being leveled. . . . The playing field is being leveled.” The phrase is that of a Bangalore-based captain of industry; Friedman’s gloss, which seems merely rhetorical at first but turns out to have some legs, is: “the world is flat.” Which is to say: new communications technologies and business strategies have erased certain obstacles between nations and peoples in at least the realms of knowledge work and intellectual capital. India, for instance, graduates huge numbers of accountants each year who can readily be put to work doing the grunt labor of preparing Americans’ tax returns, leaving it to the erstwhile U.S. preparer to do something wonderful and meaningful with his or her time—estate planning, say, or portfolio management. Friedman is sober-minded enough to recognize, of course, that not all homegrown preparers are Warren Buffetts in the making, and that some people will not thrive when their jobs wander across the oceans—though some may wind up in the Colorado phone bank that, Friedman seems most impressed to learn, processes drive-through orders for a McDonald’s franchise two states away. He is also quick to remark that the freer flow of information from developed to developing nation is a boon not just for the talented of the Third World, but also for the likes of certain bad guys: “Globalization in general,” he writes, “has been al-Qaeda’s friend in that it has helped to solidify a revival of Muslim identity and solidarity . . . thanks to the Internet and satellite television.”
But Friedman is generally enthusiastic about world-changing trends such as just-in-time inventorying, supply-chaining and insourcing. Those who look forward to a planet of Wal-Marts and Dells will be charmed. Those who don’t—well, welcome to the flat world.Pub Date: April 5, 2005
ISBN: 0-374-29288-4
Page Count: 304
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2005
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Maya Angelou ‧ RELEASE DATE: Feb. 1, 1969
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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by Maya Angelou and illustrated by Steve Johnson and Lou Fancher
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