by Thomas Mallon ‧ RELEASE DATE: Jan. 1, 1997
The famous headline declaring Truman defeated by Dewey inspires Mallon's (Henry and Clara, 1994, etc.) old-fashioned look into the lives of a handful of the residents of Thomas E. Dewey's hometown of Owosso (pop. 16,000), Michigan. The year 1948, when Dewey did come close, was both a backward- and a forward-looking time. The widow Jane Herrick is so obsessed by the death of her son Arnie in WW II that she drives her younger son Tim to drink—and worse; and old widower Frank Sherwood not only remembers being a Rough Rider but has his own 50-year-old secret to protect. At the same time, for others, the future is all the rage. Anne Macmurray, college graduate and attractive (add: spunky and smart) young woman, works in the local bookstore (The Naked and the Dead is a new release) while pushing slowly forward with her own novel. Love creates the future, and Anne is courted both by the rich and handsome Peter Cox—running for state senate on the Dewey coattails—and by the earthy, up-from-poverty Jack Riley, who nurses his dying father while also working in Flint for the UAW. As the pre-election summer passes, town boosters—most notably local merchant Al Jackson—plan feverishly how to capitalize on Dewey's coming presidency. After the bunting, ceremonies, and parades, a permanent theme park—``Dewey Walk''- -will be built along the river, to draw tourism forever. All, of course, will taste of ashes in the chill dawn after election eve- -though not before a number of minor mysteries are cleared up, or before Anne Macmurray, in a flurry of purest melodrama, votes on her own true love. Nothing new for readers of Babbitt, but fine as a reminder of the period—cars, candidates, and radio shows all done with perfect pitch (`` `Yeah, Peter interrupted. `Ronald Reagan's wife. He's the union man out in Hollywood, isn't he, Jack?' '')
Pub Date: Jan. 1, 1997
ISBN: 0-679-44425-4
Page Count: 368
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1996
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
by Harper Lee
More About This Book
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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