An ambitious, absorbing caper that’s smartly paced, tough-minded and infused with emotional depth.
Mallon’s latest historical novel (after Bandbox, 2004, etc.) takes us back to the nominally peaceful mid-1950s, when the twin menaces of Communism and homosexuality were the real enemies of all things American.
Taking a page or two from Gore Vidal, Mallon juxtaposes the progress of Wisconsin Sen. Joseph McCarthy’s vindictive Un-American Activities Committee with the (similarly verboten) “subversion” practiced by closeted State Department whiz Hawkins Fuller (of godlike face and form, and shifting loyalties) and the young naïf who worships him. Callow senatorial aide Tim Laughlin is soft-shelled meat for the rapacious sexual appetites of the “Hawk”: A gentle, good Catholic boy who hoped political life might make a man of him, he refuses—even in the confessional—to repent of the dark pleasures to which Fuller subjects him. Their relationship takes place over a span of several years marked by the Korean War’s conclusion, the Suez Crisis, the Hungarian Revolution and the looming national prominence of V.P. Richard Nixon and Sen. John F. Kennedy. Though the large load of exposition required is not always successfully dramatized, we do learn much about the major issues of the time, and Mallon proves adept at making complex geopolitical matters flesh by filtering them through the viewpoints and agendas of both his principal fictional characters and a lively horde of historical ones, including Washington columnist Mary McGrory, Joseph McCarthy’s duplicitous attack dog Roy Cohn and miscellaneous members of Congress. The fallout from power politics is vividly shown in its destructive relation to Tim Laughlin’s selfless love and vulnerable idealism, as the Hawkins Fullers of the world ride the bubble of their charm, over bodies too numerous to count.
An ambitious, absorbing caper that’s smartly paced, tough-minded and infused with emotional depth.Pub Date: May 1, 2007
ISBN: 0-375-42348-6
Page Count: 368
Publisher: Pantheon
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 1, 2007
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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