by Thomas Merton ‧ RELEASE DATE: June 1, 1997
In this volume of previously unpublished writings (the fifth installment of his journals), Merton speaks of his new life as a hermit and his reactions to contemporary upheavals in the Catholic Church and American society. Having spent over 20 years in the strictly communal life of the Trappist Cistercian Order, Merton finally obtained permission to live in solitude. Although this move was clearly a way for him to follow his bohemian and intellectual bent, it gave expression to his deep desire to seek God absolutely, free from the trivia that often complicated life in the Abbey. These journal entries illustrate both modes of Merton's existence. He discusses his omnivorous (and apparently random) reading of such writers as Rilke, Nietzsche, Neruda, Flannery O'Connor, and Simone Weil. He corresponds with contemporary intellectuals, including the Buddhist scholar Marco Pallis and Zen master D.T. Suzuki, even visiting the latter in New York. We see Merton's exasperation with US policy in Vietnam and with the South's racial practices, his excitement at developments in the Catholic Church's Second Vatican Council, and his misgivings at the Church's liturgical changes (e.g., the Passion Gospel read in English instead of sung in Latin strikes him as ``liturgical vaudeville'' and devoid of imagination). Merton supports the peace movement and distrusts the optimistic clichÇs of contemporary American culture, lamenting an increasingly Americanized world without cultural roots. Vignettes of daily life in the Abbey and in the hermitage form a background for each of these pages. We see Merton struggling with the mediocrity of his abbot and his own inconsistencies. His relentless introspection makes challenging reading, while his copious allusions to spiritual writings down the centuries open to us the sources of his own rich inner life. Merton at his best: sophisticated, honest, humorous, and mystical.
Pub Date: June 1, 1997
ISBN: 0-06-065482-1
Page Count: 384
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien
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by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan
by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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