by Thomas Merton ‧ RELEASE DATE: Nov. 1, 1996
This volume of journals reveals Merton in his late 40s, already pulled by the tension between spiritual interiority and social activism that was to characterize his final years. By 1960 Merton was an internationally renowned figure. His bestselling Seven-Storey Mountain (1948) had been ranked alongside St. Augustine's Confessions, and in a steady stream of books and articles he had explored monastic spirituality in a way that seemed fresh and relevant to a wide public. The themes in this volume of his journals show a definite shift away from his earlier otherworldliness. Kramer (English/Georgia State Univ.) has divided the manuscript chronologically into four parts. We see Merton at last obtaining the unusual permission from his abbott at Gethsemani to live in a hermitage, yet meeting a growing number of thinkers and representatives of other faiths in his retreat. Even before Vatican II begins, he is involved in the issues of liturgical reform, ecumenism, and especially the Church's attitude to the modern world. The Cuban missile crisis and the apparent inevitability of nuclear war loom large. Merton considers the need for Christians, including himself, to speak out against the Vietnam War and social segregation, while the writings of Hannah Arendt and the Eichmann case force him to think more deeply about the Catholic understanding of obedience. These pages are characterized more by breadth than depth. Although there is much personal questioning, spiritual musing, and notes from Merton's extensive reading and worldwide correspondence, most readers would do better to turn to Conjectures of a Guilty Bystander (1966), which contains the developed fruits of these jottings. Strictly for Merton connoisseurs.
Pub Date: Nov. 1, 1996
ISBN: 0-06-065480-5
Page Count: 496
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1996
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien
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by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan
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