Since his Edgar-winning debut with Butcher's Boy (1982), Perry has inked a series of bold seriocomic thrillers (Metzger's Dog, Big Fish, Island) with ever more guffaws than grit. Here, though, he resurrects the anonymous hit-man hero of Butcher's Boy and sends him on a brawny, bloody vendetta whose rare humor is determinedly dark, even dour. In the decade since he fled to England after killing 20 mobsters in revenge for a double-cross, the ``Butcher's Boy'' has been living a life of cautious ease. One day at the races, though, he's spotted by a young American mafiosi who decides to bag the still-hunted assassin—leading to the would-be capo's instant death and soon to a pitch-black comedy of errors as the killer flies to America to settle with the mobsters he thinks are hot on his trail. A virtual juggernaut of vengeance, he lands in New York, buys a gun, and kills the young mafiosi's boss. He then jets to L.A., where, deplaning, he spots a gunman he assumes is another mafiosi- -and so he zooms on to Santa Fe and kills the head of the West Coast mob. The Butcher Boy then flies to Buffalo to buy a new I.D. but is spotted by yet another mobster, resulting in further carnage. All this gore-giddy mayhem is tethered by rich details of hit-man procedure and by flashbacks of the Butcher Boy's apprentice days, and is spun into unexpected twists by one big plot joke: The man in L.A. was not a mobster but a federal agent put on the killer's tail by his old nemesis, Justice Dept. star Elizabeth Waring. When the Butcher Boy realizes this, he decides to kill Waring—leading to lots more deaths and a tense climax that promises yet another sequel. Tough and energetic, but suffering from a moral black hole at the center: the Butcher Boy himself, a finally unsympathetic antihero whose nonstop killing makes him little more than a thinking person's Terminator.
Pub Date: April 24, 1992
ISBN: 0-679-41064-3
Page Count: 352
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1992
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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