by Thomas Sowell ‧ RELEASE DATE: Sept. 19, 2023
For those satisfied with blame-the-victim tidbits of received wisdom.
The noted conservative economist delivers arguments both fiscal and political against social justice initiatives such as welfare and a federal minimum wage.
A Black scholar who has lived through many civil rights struggles, Sowell is also a follower of Friedrich Hayek and Milton Friedman, who insisted that free market solutions are available for every social problem. This short book begins with what amounts to an impatient declaration that life isn’t fair. Some nations are wealthy because of geographical advantages, and some people are wealthy because they’re smarter than others. “Some social justice advocates may implicitly assume that various groups have similar developed capabilities, so that different outcomes appear puzzling,” he writes. In doing so, he argues, they fail to distinguish between equal opportunity and equal capability. Sowell is dismissive of claims that Black Americans and other minorities are systematically denied a level playing field: Put non-white kids in charter schools, he urges, and presto, their math scores will zoom northward as compared to those in public schools. “These are huge disparities within the same groups, so that neither race nor racism can account for these huge differences,” he writes, clearly at pains to distance himself from the faintest suggestion that race has anything to do with success or failure in America. At the same time, he isn’t exactly comfortable with the idea that economic inequalities exist, and he tries to finesse definitions to suit his convictions: “The terms ‘rich’ and ‘poor’ are misleading in another and more fundamental sense. These terms apply to people’s stock of wealth, not their flows of income.” As for crime? Give criminals more rights, he asserts, as with Miranda v. Arizona, and crime rates go up—an assertion that overlooks numerous other variables but fits Sowell’s ideological slant.
For those satisfied with blame-the-victim tidbits of received wisdom.Pub Date: Sept. 19, 2023
ISBN: 9781541603929
Page Count: 224
Publisher: Basic Books
Review Posted Online: Oct. 13, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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