This creepy, quirky debut trilogy opener—think H.P. Lovecraft crossed with John Bellairs—is dank, misty fun.
Not your average coastal getaway, Eerie-on-Sea is brimming with secrets, including its own monster.
In the dismal offseason, young Herbie Lemon, the Grand Nautilus Hotel’s cautious (he’s heard the legends) Lost-and-Founder, is on the job, keeping warm, when Violet Parma, abandoned at the hotel as an infant 12 years ago, arrives, searching for her lost parents and fleeing pursuit. Fearless and determined, she recruits Herbie into her schemes. He knows she isn’t telling him her whole story—but then, he isn’t telling her (or readers) his, either. When a clue leads them to the Eerie Book Dispensary, a mechanical mermonkey steers Violet to a book about the malamander, an aquatic monster that lays a magical egg at Midwinter, then takes it back. Other egg seekers include a local author; the imperious hotel owner, whose grandfather once possessed it; the ghostly Boat Hook Man; and Violet’s parents. (Her father, the only character identified by race, is black; whether the white default that seems to apply to the rest of the book applies also to Violet is unclear.) While present-tense narration frequently has a bland effect on fantasy, flattening time and the contours of history, here lively characters, droll humor, and steampunk-tinged worldbuilding counter the effect. The limited art available for review amplifies the spookiness. The deeply atmospheric setting is a standout.
This creepy, quirky debut trilogy opener—think H.P. Lovecraft crossed with John Bellairs—is dank, misty fun. (Fantasy. 8-12)Pub Date: Sept. 10, 2019
ISBN: 978-1-5362-0722-4
Page Count: 320
Publisher: Walker US/Candlewick
Review Posted Online: May 26, 2019
Kirkus Reviews Issue: June 15, 2019
File under “laugh riot.”
A rogue spell-check program’s bid to transform all life-forms into that eminently useful office item, the paper clip, touches off a fresh round of lunar lunacy.
Predicated on the entirely reasonable premise that eliminating all spelling and grammar errors everywhere would logically lead to the necessity of exterminating carbon-based life in the universe, this third series entry combines high stakes with daffy banter and daring exploits. CheckMate—a chipper, jumped-up editing program—has invented the Transmogratron, a giant laser that will fulfill its ultimate goals in both the cyber world and “meatspace.” Facing challenges as random as prankster lunar unicorns and a disarmingly motherly Motherboard, scowling First Cat joins a motley crew of diversely carbon- and silicon-based allies, led by the pearlescent Queen of the Moon. They’re in a race to the finish—diverted occasionally by, for instance, a relentlessly punny comic-book interlude featuring a pair of literal and figurative Pool Sharks. They ultimately triumph thanks to teamwork and moxie. Following a celebratory party and toasts to “new friends…and steadfast comrades” (and, of course, “MEOW”), the story’s energetic, brightly colored panels close with a reveal of the next volume. (“I always hate it when comics end by announcing a sequel. SO CRINGE!” declares an authorial stand-in.) It can’t come too soon.
File under “laugh riot.” (Graphic science fiction. 8-11)Pub Date: Nov. 5, 2024
ISBN: 9780063315280
Page Count: 272
Publisher: HarperAlley
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A pleasing premise for book lovers.
A fantasy-loving bookworm makes a wonderful, terrible bargain.
When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)
A pleasing premise for book lovers. (Fantasy. 9-12)Pub Date: May 2, 2023
ISBN: 9780316448222
Page Count: 320
Publisher: Little, Brown
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
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