An engrossing, relatable tale about letting go.
The second book in Wictor’s (Ghosts and Ballyhoo, 2013, etc.) Ghosts trilogy tells the darkly humorous tale of an unusual friendship between a quadriplegic and a depressed copywriter.
In the second book in a uniquely ambitious trilogy composed of a memoir, a novel and a diary, Wictor expands on characters from the memoir to craft a story of both barely repressed anger and uncommon love. Narrated by Elliot Finell, a 36-year-old marketing copywriter, the book begins with his first conversation with Trey Gillespie, a man who fell off of a stool 22 years ago and lost the use of his arms and legs, with sensations in his limbs replaced by constant pain. Trey, it seems, has the ability to get people to open up. Even the very private Elliot discovers he can’t help but tell Trey all sorts of private things. Following that first meeting, Elliot confronts his girlfriend, Gary Pruett (yes, like a guy’s name), starting an argument that rattles his relationship and causes him to have a heart attack. As the story progresses, readers follow Elliot during this difficult point in his life, learning that he’s had a poor relationship with his family since he was a child and that his siblings teased him for being fat. He’s struggling to deal with losing the only woman he’d ever loved, whom he cared enough about to argue with her over something she refused to deal with. Elliot also deepens his relationship with Trey, whose ominous warning at their first meeting—“I had enough of this shit”—steadily proves to be more than mere words as the bitter man in the wheelchair asks an unthinkable favor of his new friend. Throughout, it’s a surprising, difficult yet intensely honest story filled with compelling characters; the way personal details are exposed through voices and actions—perhaps thanks to Wictor’s memoir-writing experience—may make readers wonder if these are real people he’s writing about. Although frequently dramatic, the story is, like life, peppered with a healthy dose of humor, sometimes even in the most trying situations, making the story seem all the more real and its impact all the more heart-wrenching.
An engrossing, relatable tale about letting go.Pub Date: Oct. 21, 2013
ISBN: 978-0615819143
Page Count: 312
Publisher: Thomas Wictor
Review Posted Online: Nov. 25, 2013
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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