Not as unified as Umrigar’s previous novels (If Today Be Sweet, 2007, etc.), but an unflinching portrait of parental...
Sorrow turns to obsession when Ellie and Frank Benton move from Ann Arbor, Mich., to India shortly after the death of their seven-year-old son.
Frank’s employer, HerbalSolutions, harvests and manufactures a diabetes remedy in the village of Girbaug, and Frank, at Ellie’s urging, is to run the plant. They are escaping from the empty bedroom their son once occupied, from the empty weekends they fill with long aimless drives, from the thousand memories they have of their happy boy, killed quickly by meningococcal fever. In India, Ellie and Frank find a reprieve from their heartache, but escape is hardly a cure. After a year and a half, Ellie loves India, has found a best friend in former journalist Nandita and a sense of purpose in working to improve the lives of the villagers. For Frank, though, India offers no simple salve. As the symbol of corporate America using up its natural resources, he deals with labor disputes, bribery and even the death of a union activist who was trying to improve conditions at HerbalSolutions. The only bright spot for Frank is Ramesh, young son of the Bentons’ maid and cook. As Frank becomes increasingly attached to the boy, his father Prakash becomes jealous, irritated by the rich Westerner who can lure his son with expensive gifts, free time and promises of an American education. It is obvious to Ellie that Ramesh is a replacement for their dead son, but what she can’t fathom is Frank’s vitriolic attitude toward Prakash, and increasingly, all India. Umrigar’s portrait of Frank’s descent into obsessive madness is well paced, as are her descriptions of the couple’s loneliness together, but the novel stumbles with two long flashbacks—one describing Frank and Ellie’s courtship and the other Benny’s death—that add little. By the end, Frank’s preoccupation turns to wickedness and violence.
Not as unified as Umrigar’s previous novels (If Today Be Sweet, 2007, etc.), but an unflinching portrait of parental bereavement.Pub Date: April 14, 2009
ISBN: 978-0-06-147254-1
Page Count: 384
Publisher: Harper/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2009
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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