Richly layered characters give this romance broad crossover appeal.
A woman newly arrived in Harlem falls in love with a man out of time.
Ricki Wilde has never fit in with her buttoned-up, high-society Atlanta family—she’s always been a rule-breaker who values creativity over comportment. Her family owns a funeral home business, but she dreams of opening a flower shop. The financial and logistical impediments seem insurmountable, though, until she meets Della Bennett, a 96-year-old woman who’s come into one of the Wilde Funeral Homes to arrange a homegoing for her husband. It turns out that she owns a brownstone in Harlem, and she offers to let Ricki rent out the bottom floor, which has room for both a shop and a small living space. Even with a fairy godmother, opening a new business is hard; she struggles to keep it afloat but draws media attention by placing her dazzling, inventive flower arrangements at sites made famous during the Harlem Renaissance. One February evening, she meets a mysterious man in a neighborhood garden full of night-blooming jasmine, just one of many hints that something magical is bringing them together. Ezra Walker is a traveling musician with courtly manners and an unbelievable secret. The book slowly eases into Ricki and Ezra’s love story, with a secondary timeline set during the Harlem Renaissance providing hints about Ezra’s tragic past. He knows he has no future with Ricki and tries to avoid her, but they’re drawn together like magnets. It’s a beautiful romance, tackling big ideas about the burden of family, the weight of time, and the gift of love. But for a novel with such a careful, meticulous unspooling of plot and characters, the ending is rushed, with the strangely passive lovers surrendering to the same forces of fate and time that initially brought them together.
Richly layered characters give this romance broad crossover appeal.Pub Date: Feb. 6, 2024
ISBN: 9781538726709
Page Count: 352
Publisher: Grand Central Publishing
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
This slightly smutty monster romance feels more like a spectacle than a deliberately paced story.
A woman travels to Scotland to unravel her late father’s past and meets a grumpy Scotsman with his own secrets.
Keyanna MacKay was brought up by a single father who was always tight-lipped about his upbringing, so when he dies, she’s left with no family. Key decides that learning about his life before he left Scotland would be a good way of keeping his memory close and perhaps connecting with long-lost relatives. She discovers a grandmother and other extended family in Scotland, but they’re hardly welcoming. “I know who you are....And you shouldn’t have come,” are the first words her grandmother says to her. Lachlan Greer has little patience for the American he’s already written off as clueless. When he witnesses Key’s snubbing by her family members, his grumpy demeanor gives way to begrudging pity, and he starts helping her navigate the local community and try to build a bridge to her grandmother. At first, this book seems to be a contemporary romance with light magical undertones involving a family’s mysterious curse, but it quickly devolves into a monster romance heavy on shock value. While monster romance can be fun, it doesn’t work here. Key and Lachlan’s chemistry is bumpy, and the pace of their relationship as they go from disastrous first impressions to a happily ever after is all over the place. Ferguson tries to combine too many elements—including a grumpy-meets-sunshine pairing, a mystery with sensitive family dynamics, and the complicated logistics of falling in love with a cryptid—leaving several threads not fully resolved. The setting is the most positive element, with Scotland’s lush greenery providing the perfect whimsical background for hunting down long-buried family secrets.
This slightly smutty monster romance feels more like a spectacle than a deliberately paced story.Pub Date: Dec. 3, 2024
ISBN: 9780593816851
Page Count: 416
Publisher: Berkley
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
BOOK REVIEW
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