A woman newly arrived in Harlem falls in love with a man out of time.
Ricki Wilde has never fit in with her buttoned-up, high-society Atlanta family—she’s always been a rule-breaker who values creativity over comportment. Her family owns a funeral home business, but she dreams of opening a flower shop. The financial and logistical impediments seem insurmountable, though, until she meets Della Bennett, a 96-year-old woman who’s come into one of the Wilde Funeral Homes to arrange a homegoing for her husband. It turns out that she owns a brownstone in Harlem, and she offers to let Ricki rent out the bottom floor, which has room for both a shop and a small living space. Even with a fairy godmother, opening a new business is hard; she struggles to keep it afloat but draws media attention by placing her dazzling, inventive flower arrangements at sites made famous during the Harlem Renaissance. One February evening, she meets a mysterious man in a neighborhood garden full of night-blooming jasmine, just one of many hints that something magical is bringing them together. Ezra Walker is a traveling musician with courtly manners and an unbelievable secret. The book slowly eases into Ricki and Ezra’s love story, with a secondary timeline set during the Harlem Renaissance providing hints about Ezra’s tragic past. He knows he has no future with Ricki and tries to avoid her, but they’re drawn together like magnets. It’s a beautiful romance, tackling big ideas about the burden of family, the weight of time, and the gift of love. But for a novel with such a careful, meticulous unspooling of plot and characters, the ending is rushed, with the strangely passive lovers surrendering to the same forces of fate and time that initially brought them together.
Richly layered characters give this romance broad crossover appeal.