Unwieldy but consistently (amazingly, considering the square footage) inventive in scenarios and details. Bring a magnifier...
In this supersized Where’s Waldo?–style French import, cutaway views teem with tiny figures and silly business.
The brain-bending bustle begins “Inside Buildings,” with a row of apartment houses festooned with hundreds of residents in over 50 rooms, on the street, and up on the roofs. Tenacious searchers are challenged to spot 50 particular items or people, but there’s a lot more to see: here a fire; there a flood; elsewhere Peter Pan swooping in to pick up Wendy, a marriage proposal, a tattoo artist at work, two gents sharing a hot tub under the stars, a living room concert, parties, pet chases, and more. The action continues in eight further populous locales, from “Inside the Hospital” to “Inside the Library,” with 10 recurring figures—including a potted plant with a face and a bodybuilder in a thong—to add to new items. The big-headed, toylike tiny humans are all roughly the same size, so children and grown-ups are often indistinguishable, and though most are white, many have light or dark brown skin, and some appear to be Asian.
Unwieldy but consistently (amazingly, considering the square footage) inventive in scenarios and details. Bring a magnifier and a bottle of Visine. (Novelty. 4-10)Pub Date: July 1, 2017
ISBN: 978-2-7338-4684-1
Page Count: 20
Publisher: Auzou Publishing
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Dec. 1, 2017
BOOK REVIEW
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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