The cheeky titles that seldom mean much are typical of Fischer’s attempt to dazzle: the writing here is darker than in his...
Not as compulsively clever as his last novel (The Collector Collector, 1997), these seven stories wear their millennial cynicism heavily. Fischer seems to have substituted world-weariness and sarcasm for wit and wordplay.
All of Fischer’s unhappy protagonists are either failures or hopeless wannabes on the verge of giving up: in the novella-length “We Ate the Chef,” a burnt-out Webhead takes a last-ditch holiday he can’t afford with people he doesn’t much like (including, by surprise, a successful competitor), and discovers the depth of his disconnect. The failed software designer, like the story itself, peters out in bed with a sexy young Russian girl who doesn’t excite the jaded entrepreneur. In the equally long title piece, a female standup comic, who professes to “live for cock,” finds little consolation even in sex as her career nose-dives: she climbs Nelson’s Column naked to little notice, and a benefit for two jailed Burmese comics draws a tiny audience. Her sense of evil in the world is matched only by the journalist in “Ice Tonight in the Hearts of Young Visitors,” who witnesses genuine horror and chaos during the fall of Ceausescu in Romania. The nastiest of Fischer’s bilious characters is a solicitor’s rep (and aspiring actor) who mocks his dim, lowlife clients, and loathes his racially mixed Brixton neighborhood. A would-be gunslinger in “Fifty Uselessnesses” can’t hold a job, and no longer gets bookings for his cowboy routine, so he stage-manages his own death-by-shootout. Two more comic pieces—one about a desperate artist who’ll do anything to get attention, the other about a fellow who gets himself locked in bookstores at night—rely on one-joke ideas that never develop.
The cheeky titles that seldom mean much are typical of Fischer’s attempt to dazzle: the writing here is darker than in his earlier work, and never rises above its easily earned despair.Pub Date: Sept. 12, 2000
ISBN: 0-8050-6601-2
Page Count: 256
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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