Either DeBartolo’s satire is very subtle or this is the most pretentious novel about rock music ever written.
A rock journalist sacrifices her relationship with a brilliant rock musician when her fear of flying threatens to hold back his career.
DeBartolo (The God-Shaped Hole, 2001) treats rock music as high art in this self-important romance. After landing an interview with her idol, legendary rocker Doug Blackman, fledgling journalist Eliza Caelum moves to Manhattan to take a job with a music magazine. She finds herself sharing an apartment with Paul Hudson, lead singer of the band Bananafish, who takes his music very seriously and loves the same Doug Blackman song as she: “The Day I Became a Ghost” (Blackman’s no Dylan, or even Dave Mathews.) Soon, Paul and Eliza have fallen deeply in love. Paul’s talent begins to bring the band attention both from an independent producer and from a mega-corporate record company. Drawn to the independent, Paul nevertheless signs with the corporate jerks for the sake of his fellow band members’ financial interest. Despite his own misgivings about becoming a sellout, Eliza is thrilled for him. He, in turn, proposes marriage and wants her to accompany him on tour. Unfortunately, that would entail flying. Her airplane phobia began when her parents died in a plane crash and intensified after she witnessed the 9/11 attack. Not about to let her unwillingness to fly derail Paul’s career, she lets Doug Blackman’s son Loring, a handsome mainstream musician (i.e., sellout) with an obvious crush on her, kiss her when she knows Paul will see them. As expected, Paul assumes the worst. He goes on tour alone and sleeps with a groupie. Eliza moves in with Loring while pining for Paul and his pure rock-’n’-roll soul. Paul’s album bombs because it isn’t commercial enough. Paul and Eliza reunite and make love. Paul commits suicide. Or does he.
Either DeBartolo’s satire is very subtle or this is the most pretentious novel about rock music ever written.Pub Date: Sept. 1, 2005
ISBN: 1-4022-0521-X
Page Count: 352
Publisher: Sourcebooks Landmark
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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