A poetic novel that dances on the edge of hope and despair.
A biracial woman contemplates motherhood, grief, and being Black in America.
The unnamed narrator of Harrison’s debut novel is a 34-year-old Black Japanese photographer and teacher who is struggling with infertility and an increasingly complicated relationship to motherhood. Slipping back and forth in time, the slim novel follows the narrator’s stream-of-consciousness thoughts and meandering memories. The narrator blames herself for a life-altering family tragedy and struggles to believe she deserves good things, including, and perhaps most especially, a child. Between attending therapy sessions and police brutality protests, the narrator remembers falling in love with her husband, Asher Fromm, her recent miscarriage, the agony of her young adulthood, and teaching her photography students, including a talented Black student named Noah. When Noah is shot by police while reaching for a candy bar in his back pocket, the narrator begins to question whether she wants to bring a baby into this world—into a country that murders Black children—despite it being all her husband (who is White and Jewish) wants. Her once-staunch stance against motherhood and marriage changed when she met him, but in the face of her all-consuming grief she asks: “Could my malfunctioning body and the reality of this American nightmare change it back?” As the couple figures out how to move forward after loss, the narrator finds herself secretly visiting Noah in the hospital, working on a new documentary project, and, against all odds, pregnant again. Harrison’s writing is unflinching throughout, but the depictions of miscarriage and infertility—and their effect on a marriage—are particularly haunting: “The light is perfect, and you are far away in some honest, uncharted place. I don’t know where, only that I can’t get there. Not even with directions, a compass, or you holding my hand.” In the vein of Jenny Offill and Raven Leilani, Harrison’s debut offers an intimate slice-of-life portrait with no easy questions or answers.
A poetic novel that dances on the edge of hope and despair.Pub Date: April 4, 2023
ISBN: 9781593767495
Page Count: 160
Publisher: Soft Skull Press
Review Posted Online: Jan. 24, 2023
Kirkus Reviews Issue: Feb. 15, 2023
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A fresh, funny, ambitious, and nuanced take on some of our oldest existential questions. Cannot wait for the TV series.
What would you do if you knew when you were going to die?
In the first page and a half of her latest page-turner, bestselling Australian author Moriarty introduces a large cast of fascinating characters, all seated on a flight to Sydney that’s delayed on the tarmac. There’s the “bespectacled hipster” with his arm in a cast; a very pregnant woman; a young mom with a screaming infant and a sweaty toddler; a bride and groom, still in their wedding clothes; a surly 6-year-old forced to miss a laser-tag party; a darling elderly couple; a chatty tourist pair; several others. No one even notices the woman who will later become a household name as the “Death Lady” until she hops up from her seat and begins to deliver predictions to each of them about the age they’ll be when they die and the cause of their deaths. Age 30, assault, for the hipster. Age 7, drowning, for the baby in arms. Age 43, workplace accident, for a 42-year-old civil engineer. Self-harm, age 28, for the lovely flight attendant, who is that day celebrating her 28th birthday. Over the next 126 chapters (some just a paragraph), you will get to know all these people, and their reactions to the news of their demise, very well. Best of all, you will get to know Cherry Lockwood, the Death Lady, and the life that brought her to this day. Is it true, as she repeatedly intones on the plane, that “fate won’t be fought”? Does this novel support the idea that clairvoyance is real? Does it find a means to logically dismiss the whole thing? Or is it some complex amalgam of these possibilities? Sorry, you won’t find that out here, and in fact not until you’ve turned all 500-plus pages. The story is a brilliant, charming, and invigorating illustration of its closing quote from Elisabeth Kübler-Ross (we’re not going to spill that either).
A fresh, funny, ambitious, and nuanced take on some of our oldest existential questions. Cannot wait for the TV series.Pub Date: Sept. 10, 2024
ISBN: 9780593798607
Page Count: 512
Publisher: Crown
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
PERSPECTIVES
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