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BLUE HOUR

A poetic novel that dances on the edge of hope and despair.

A biracial woman contemplates motherhood, grief, and being Black in America.

The unnamed narrator of Harrison’s debut novel is a 34-year-old Black Japanese photographer and teacher who is struggling with infertility and an increasingly complicated relationship to motherhood. Slipping back and forth in time, the slim novel follows the narrator’s stream-of-consciousness thoughts and meandering memories. The narrator blames herself for a life-altering family tragedy and struggles to believe she deserves good things, including, and perhaps most especially, a child. Between attending therapy sessions and police brutality protests, the narrator remembers falling in love with her husband, Asher Fromm, her recent miscarriage, the agony of her young adulthood, and teaching her photography students, including a talented Black student named Noah. When Noah is shot by police while reaching for a candy bar in his back pocket, the narrator begins to question whether she wants to bring a baby into this world—into a country that murders Black children—despite it being all her husband (who is White and Jewish) wants. Her once-staunch stance against motherhood and marriage changed when she met him, but in the face of her all-consuming grief she asks: “Could my malfunctioning body and the reality of this American nightmare change it back?” As the couple figures out how to move forward after loss, the narrator finds herself secretly visiting Noah in the hospital, working on a new documentary project, and, against all odds, pregnant again. Harrison’s writing is unflinching throughout, but the depictions of miscarriage and infertility—and their effect on a marriage—are particularly haunting: “The light is perfect, and you are far away in some honest, uncharted place. I don’t know where, only that I can’t get there. Not even with directions, a compass, or you holding my hand.” In the vein of Jenny Offill and Raven Leilani, Harrison’s debut offers an intimate slice-of-life portrait with no easy questions or answers.

A poetic novel that dances on the edge of hope and despair.

Pub Date: April 4, 2023

ISBN: 9781593767495

Page Count: 160

Publisher: Soft Skull Press

Review Posted Online: Jan. 24, 2023

Kirkus Reviews Issue: Feb. 15, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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INTERMEZZO

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

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Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.

Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Pub Date: Sept. 24, 2024

ISBN: 9780374602635

Page Count: 464

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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