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MS. MULLIGAN AND THE ENCHANTED ICE CREAM

An enjoyable and well-written supernatural tale, despite loose ends and a few missteps.

When a sixth-grade Florida girl is transformed into a 20-something woman, she and her friends search for a cure in this debut YA paranormal novel.

On the eve of her 12th birthday, blond-haired Tabitha “Tabby” Easterland tells her best friends, Kat Dorsett and Dolly Hargrave, that she has one wish: to go with Finn McKinna to the junior high dance next year. But when Tabby wakes up the next morning, she discovers that she seems to have aged more than 10 years. Luckily, she’s not at home with her Aunt Patti, but at Kat’s house for a sleepover. (Tabby’s mother is dead; her father is institutionalized.) Tabby can’t go home, for the somewhat flimsy reason that she might be jailed “for the kidnapping of...herself.” The girls manage to establish a new identity for Tabby (Elise Mulligan), who gets a teaching job at her own school while they look for a remedy. Her mother’s diary, strange dreams of two evil sisters, and odd experiences confuse Tabby until Mrs. Bumble, a fellow teacher whose spare room the young woman moves into, gives her the bad news: She’s under a curse. A school field trip leads to a dangerous, dramatic confrontation with the Black and White sisters, named for their hair color. Though Tabby learns more about her family, the curse, and other matters, much work remains; the tale will continue in a sequel. In her novel, Elaine mixes up an entertaining blend of middle school best friend shenanigans with the supernatural—witchcraft, curses, a mystical society founded by an ancient civilization—and a family mystery. These last two elements are complex and well thought out, offering several surprises along the way. Although the book feels slow at 300-plus pages, frustratingly so since the story isn’t finished, it could grapple more with the implications of Tabby’s adult body. She’s embarrassed by her new figure but any interest or exploration stops there. And while it’s understandable that young people don’t want to look ancient, must “old and ruined” go together? Nevertheless, readers will likely be eager for the sequel.

An enjoyable and well-written supernatural tale, despite loose ends and a few missteps.

Pub Date: Feb. 18, 2018

ISBN: 978-0-9981659-6-7

Page Count: 326

Publisher: Ingramelliott

Review Posted Online: Aug. 3, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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