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GIRL FROM NOWHERE

Adeptly written but full of inconsistencies.

A teen fleeing from international terrorists takes refuge in a small town in Montana.

Sixteen-year-old Sophia, daughter of American diplomats, arrives in small-town Waterford, Montana, less than 48 hours after a traumatic incident inside a safe house in Tunis. Though fluent in 14 languages, an expert skier, a concert-level pianist, and a skilled survivalist accustomed to carrying a loaded pistol at all times, Sophia hasn’t been to school in 18 months. However, she quickly makes friends and is intrigued by a senior boy named Aksel, whose marksmanship saves her, on the first day at school, from an attack by a grizzly bear. Aksel lives alone in a lush mountain home, his parents having died in a plane crash two years before; he confesses to remembering Sophia from seeing her inside the U.S. Embassy in Berlin. She doesn’t question this coincidence, preferring to dwell at length on Aksel’s stunning green eyes. But a man she vaguely recognizes seems to be stalking her. Rosenhan’s debut is absolutely crammed with action, international name-dropping and intrigue, and sizzling, though PG, scenes between Sophia and Aksel. It’s missing consistency, clearly defined characters, and a well-developed plot—many things happen, but not all of them make sense. Sophia’s desires are never clear, and she often doesn’t ask obvious questions. Neither Sophia nor Aksel are credible high school teens; they read much older. Main characters are white.

Adeptly written but full of inconsistencies. (Fiction. 14-18)

Pub Date: July 21, 2020

ISBN: 978-1-5476-0303-9

Page Count: 416

Publisher: Bloomsbury

Review Posted Online: May 1, 2020

Kirkus Reviews Issue: May 15, 2020

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NOTHING LIKE THE MOVIES

From the Better Than the Movies series , Vol. 2

A worthy second-chance romance.

In this follow-up to 2021’s Better Than the Movies, a 20-year-old college freshman gets a second chance at his dreams.

After the death of his father and his mother’s subsequent physical and emotional disappearance, Wes Bennett left behind all of his plans and the girl he made them with to go home and take care of Sarah, his younger sister. But now, Sarah has graduated, his mom is back on her feet, and by some miracle, Wes has an offer to pitch for UCLA’s baseball team. Liz Buxbaum, the girl he’s always loved, works for the university’s athletic department, taking photos and video of the team for social media, which means that maybe he can have a second chance at love, too. But since Wes left, Liz has made every effort to protect herself from ever feeling that broken again; there’s no room for love, because she doesn’t believe in it anymore. Or she doesn’t want to. This second-chance sports romance includes fake dates, quippy and quirky best friends, real heartache, and the sweet ache of first love. The clever dialogue keeps readers from drowning in the main characters’ emotional push-and-pull. Reading the first novel isn’t necessary for appreciating this one, although knowing the full history between Wes and Liz will only add to the ache and longing readers feel from and for them. Main characters are cued white.

A worthy second-chance romance. (Romance. 14-18)

Pub Date: Oct. 1, 2024

ISBN: 9781665947138

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: July 19, 2024

Kirkus Reviews Issue: Aug. 15, 2024

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STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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