A quiet book for the preschool nature shelf.
Rhyming text follows the life cycle of one acorn, from tiny sprout to crashing, fecund ancient oak.
“Hushhhhhhhhhhhh warns wind and whirls seed down. / Seed lies, silent, on the ground.” Initially, the acorn is known generically as “seed,” but there can be no mistaking its photorealistic appearance—an interesting contrast against what appear to be computer-generated collages of the four seasons. Cartoonlike woodland creatures and ethnically diverse humans round out the brightly colored art. “Seed” waits quietly during fall and winter, escaping the attentions of hungry birds more than once, until it sprouts and sings its “tree-tra-la” near the bottom of a leafy green oak tree. Now it is referred to as “tree” instead of “seed.” As the tree grows, seasons come and go, and animals and humans enjoy their lives around it: They dance in its bright leaves; snowshoe around it; hold picnics; read in its shade. The illustrations make full use of different times of day, varying weather, and the underground homes of animals—all contributing to the richness surrounding the tree’s life. The idea of the tree as sentient and singing pervades the gentle near rhymes, and some little ones may become so attached they react with fear and sadness when the ancient oak finally lies silent. Fortunately, as with other mildly scary parts, soothing words and imagery follow.
A quiet book for the preschool nature shelf. (Picture book. 3-6)Pub Date: April 10, 2018
ISBN: 978-1-77321-001-8
Page Count: 32
Publisher: Annick Press
Review Posted Online: Feb. 3, 2018
Kirkus Reviews Issue: Feb. 15, 2018
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
Fun enough to read once but without enough substance to last.
Familiar crayon characters argue over which color is the essential Christmas color.
Green starts by saying that green is for Christmas. After all, green is for holly. But Red objects. Red is for candy canes. Green is for fir trees, Green retorts. But Red is for Santa Claus, who agrees. (Santa is depicted as a white-bearded White man.) Then White joins the fray. After spending the year being invisible, White isn’t giving up the distinction of association with Christmas. Snow, anyone? But then there’s Silver: stars and bells. And Brown: cookies and reindeer! At this point, everyone is confused. But they come together and agree that Christmas wouldn’t be Christmas without all of them together. Someone may get the last word, though. In Daywalt and Jeffers’ now-signature style, the crayon-written text is spare and humorous, while the crayon characters engage with each other against a bare white background, vying for attention. Dot-eyed faces and stick legs on each object turn them all into comical, if similar, personalities. But the series’ original cleverness is absent here, leaving readers with a perfunctory recitation of attributes. Fans of the crayon books may delight in another themed installment; those who aren’t already fans will likely find it lacking. (This book was reviewed digitally.)
Fun enough to read once but without enough substance to last. (Picture book. 3-6)Pub Date: Oct. 19, 2021
ISBN: 978-0-593-35338-7
Page Count: 32
Publisher: Philomel
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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