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Wrong Place, Wrong Time

An intelligent, thought-provoking adventure story and a fine debut.

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A tense debut action-thriller that hinges on a pair of related kidnappings.

At the start of Jacobs’ taut novel, Tsarina “Tsara” Abrams lives comfortably in the New England suburbs with her husband, David Adelman, and their two kids, Abbie and Josh. One day, she receives an engraved invitation from her uncle, businessman Castle Thornlocke, to attend a charity fundraiser at the palatial Thornlocke estate in Libertyville, N.H. The fundraiser is for a worthy cause, a cancer center, and Tsara’s brother Court has also been invited. Their relationship with their uncle has always been tense and adversarial, but it seems that Uncle Cass’ new wife, Alicia, has mellowed him somewhat, and Tsara believes that his invitation might be an attempt to mend fences. She makes the trip to the New Hampshire mountains, and at first, all seems well—but her first night under her uncle’s roof, she’s kidnapped by two men and brought to a remote cabin in the woods. They explain that her uncle is holding one of the kidnappers’ children hostage (along with half a dozen others’) in his estate’s wine cellar in order to coerce them into paying outstanding debts. Her uncle, it seems, is a ruthless power broker, with the corrupt local police entirely at his disposal, and Tsara’s desperate kidnappers see no alternative but to threaten him using similar methods. Jacobs presents the ensuing tense moral and tactical standoff with smooth skill and intense readability. Her sense of the New Hampshire landscape is vividly atmospheric (“The sky was azure, wisped with occasional brushes of clouds, and the trees were rocket bursts of fall color”), and her characters are refreshingly three-dimensional; by the end, Jacobs even makes a monstrous villain such as Thornlocke understandable, if not sympathetic. The novel is fast-paced right from the end of the first chapter, and the dialogue is crisply believable throughout. Fans of mystery writers such as Lisa Scottoline and William Kent Krueger will find much to entertain them here.

An intelligent, thought-provoking adventure story and a fine debut.

Pub Date: June 1, 2013

ISBN: 978-0615805597

Page Count: 406

Publisher: Linden Tree Press

Review Posted Online: Oct. 25, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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