A fascinating, authoritative avian history.
A study of birds as inspiration, enlightenment, and food.
Melding science, natural history, memoir, and travelogue, ornithologist Birkhead offers a commodious history of humans’ connection to birds, from prehistoric times to the current burgeoning interest in bird-watching. He begins in southern Spain, where depictions of more than 200 birds were discovered in Neolithic caves. This “birthplace of bird study” raises the question of the artists’ motivation: Do the images represent totemism, suggesting that birds were worshipped? Did the artists pay homage to birds prized for food? Did the images serve as a kind of field guide? In ancient Egypt, mummified birds were found in catacombs, preserved as food, pets for the deceased, or votive offerings. Birkhead examines early interest in investigating birds (by Aristotle and Pliny the Elder, for example); falconry as pastime, an “expensive, time-consuming” indulgence of aristocrats; and the medieval veneration of birds as “hovering midway between heaven and earth, half angels, half animals,” which can be deduced from the appearance of birds in religious paintings. As prey—sometimes for food, sometimes for sport—bird populations often have been decimated. Tudor England fostered an “unthinking persecution of wildlife” that included birds seen as “vermin.” In the late 1950s, Mao Zedong set off mass killings of sparrows, blamed for stealing grain. The 17th century saw a marked interest in scientific investigation, resulting in a proliferation of description, collection, and illustration of birds. Victorians paradoxically cherished birds, enjoying a vogue for caged songbirds but also for amassing specimens of birds, skins, and eggs. From acorn woodpeckers to zebra finches, Birkhead examines bird habitat, behavior, cultural meaning, and physiology in species around the world. He creates engaging portraits of the often eccentric individuals involved in bird investigations and reports on some exotic uses of birds for food—flamingos’ fatty tongues, for example, roast peacock, and fattened herons. This beautifully produced volume is replete with drawings, photographs, maps, and vivid color plates.
A fascinating, authoritative avian history.Pub Date: Aug. 9, 2022
ISBN: 978-0-691-23992-7
Page Count: 496
Publisher: Princeton Univ.
Review Posted Online: May 11, 2022
Kirkus Reviews Issue: June 15, 2022
HISTORY | NATURE | SCIENCE & TECHNOLOGY | ANCIENT | WORLD
PERSPECTIVES
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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SEEN & HEARD
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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