by Tim Blanning ‧ RELEASE DATE: June 4, 2007
Blanning is a most lucid interpreter of the past, and readers may find themselves wanting more.
A sprawling, lively history of the era in which the Late Renaissance morphed into the Enlightenment—at least for some lucky Europeans.
Blanning (History/Cambridge Univ.) locates the beginning of that time in the Peace of Westphalia, which ended the Thirty Years’ War. The treaty settled two major issues, he writes: the independence of the Netherlands from Spain, and the general distribution of power in the German-speaking world, which would be fairly untumultuous as compared to its neighbors. Spain and France kept fighting after the treaty, and other parts of Europe still had their problems; Sweden found itself, for instance, in “a confusing series of wars,” while a great plague felled 100,000 Britons in a single year, lending credence to the Book of Common Prayer of 1662: “When mourners gathered around an English graveside to hear the clergyman intoning the words…‘in the midst of life we are in death,’—they knew that he was telling the truth.” But not long thereafter, as Blanning chronicles, much of Europe began to emerge from pestilence, famine and war, and a “culture of reason” began to assert itself—helped along by noble and churchly folk as much as the bourgeoisie, to say nothing of the state. (For instance, in Hungary and elsewhere in the early 18th century, “the persecution of witches did not end because belief in witchcraft or magic ceased, but because the government intervened.”) The rise of the Enlightenment saw not always connected developments such as the decline of papal powers in the secular realm, the slow abandonment of serfdom and the ascent of science. All these matters are treated at length and with some leisure, though the narrative starts to gallop at the end, with the Napoleonic Wars accounted for in only a couple of dozen pages. To do otherwise would of course have added bulk to an already big book.
Blanning is a most lucid interpreter of the past, and readers may find themselves wanting more.Pub Date: June 4, 2007
ISBN: 978-0-670-06230-8
Page Count: 720
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2007
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by Tim Blanning
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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