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SHARK SKIN SUITE

Florida’s premier vigilante may have met his match.

When Serge A. Storms (The Riptide Ultra-Glide, 2013, etc.) kidnaps lovely paralegal Brook Campanella, he ensnares himself in an attachment that makes Stockholm syndrome look like puppy love. But their ill-fated union is short-circuited just north of Key West by a massive manhunt triggered by two measly murders. The lovers part, united, although separated, in the common goal of becoming attorneys. Brook beats Serge to the punch by the simple expedient of actually attending law school, while her lover hones his legal skills by watching Legally Blonde and Cool Hand Luke. After she helps Hilda and Vernon Rockford save their home, which they bought with cash, from foreclosure by First American Bank, Brook is wooed by Shapiro, Heathcote-Mendacious and Blatt, one of the biggest firms in the Southeast. SH&B assigns her second chair on Sheffield et al v. Consolidated Financial, a class action suit against a bank that “robosigned” thousands of mortgages, waited until the buyers were underwater, seized their properties and sold them for more than the original loan amounts. It’s a tough case. The plaintiffs’  two lead witnesses, Ruth Wozniak and Cooder Ratch, are just a bit cray cray. Brook’s first chair, Shelby Lang, has little more trial experience than she does. And trial judge Kennesaw Montgomery Boone thinks Citizens United didn’t go far enough in protecting corporations. Fortunately, Serge, who’s just completed his tour of South Florida courthouses, is tan, rested and ready to give Brook all the help she needs, and then some. Once again, Serge proves that homicidal mania has its points as Dorsey takes aim at more massive villains than usual.

Pub Date: Jan. 27, 2015

ISBN: 978-0-06-224001-9

Page Count: 336

Publisher: Morrow/HarperCollins

Review Posted Online: Dec. 6, 2014

Kirkus Reviews Issue: Dec. 15, 2014

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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