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SHARK SKIN SUITE

Florida’s premier vigilante may have met his match.

When Serge A. Storms (The Riptide Ultra-Glide, 2013, etc.) kidnaps lovely paralegal Brook Campanella, he ensnares himself in an attachment that makes Stockholm syndrome look like puppy love. But their ill-fated union is short-circuited just north of Key West by a massive manhunt triggered by two measly murders. The lovers part, united, although separated, in the common goal of becoming attorneys. Brook beats Serge to the punch by the simple expedient of actually attending law school, while her lover hones his legal skills by watching Legally Blonde and Cool Hand Luke. After she helps Hilda and Vernon Rockford save their home, which they bought with cash, from foreclosure by First American Bank, Brook is wooed by Shapiro, Heathcote-Mendacious and Blatt, one of the biggest firms in the Southeast. SH&B assigns her second chair on Sheffield et al v. Consolidated Financial, a class action suit against a bank that “robosigned” thousands of mortgages, waited until the buyers were underwater, seized their properties and sold them for more than the original loan amounts. It’s a tough case. The plaintiffs’  two lead witnesses, Ruth Wozniak and Cooder Ratch, are just a bit cray cray. Brook’s first chair, Shelby Lang, has little more trial experience than she does. And trial judge Kennesaw Montgomery Boone thinks Citizens United didn’t go far enough in protecting corporations. Fortunately, Serge, who’s just completed his tour of South Florida courthouses, is tan, rested and ready to give Brook all the help she needs, and then some. Once again, Serge proves that homicidal mania has its points as Dorsey takes aim at more massive villains than usual.

Pub Date: Jan. 27, 2015

ISBN: 978-0-06-224001-9

Page Count: 336

Publisher: Morrow/HarperCollins

Review Posted Online: Dec. 6, 2014

Kirkus Reviews Issue: Dec. 15, 2014

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LONESOME DOVE

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.

The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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