A surprisingly incisive rendering of a shattered society—or, just another world gone wrong.
Thirty-eight surrealistic short fictions about gods and monsters and other neighbors cohabitating at the end of the world.
This collection by British multimedia artist and writer Etchells (Vacuum Days, 2012, etc.) may be about, as the author notes on the first page, “Kings, lords, liars, goal-hangers, killers, psychics and prostitutes,” but it’s also a politically charged and graphic portrait of Western societies hanging on by a thread. With an introduction by Britpop legend Jarvis Cocker, who shares Etchells’ roots in Thatcher-era England, this particular work of art demonstrates once more that what goes around comes around. This loosely connected compilation of stories set in the shared universe of “Endland” finds characters both conventional and macabre mingling in a place where adversity is constant and happiness, elusive. The first half resurrects 1990s-era pieces from the long out-of-print Endland Stories (1999). The opener, “About Lisa,” concerns a young woman who works in a topless chip shop and whose life is changed by a murder. “Who Would Dream That Truth Was Lies?” introduces one of the book’s recurring conceits, a pantheon of gods that includes traditional Greek gods but also outliers like Herpes, Chandelier, and Rent Boy, among others, a conceit that continues in “Arse on Earth.” It’s easy to go too far, as in “Chaikin/Twins,” a nature-nurture experiment that finds a man contrasting twin sisters, one pampered and one sexually brutalized. There are nontraditional morality tales about a fallen starlet, a transient pop star, and a woman disintegrating into the ether of cyberspace. Stories in the collection’s back half are less graphic but turn a black mirror to the movies, from crime stories set in Endland to a horror fiction based on found footage to an unexpected take on “scripted reality.” They aren’t easy to digest, these lurid tales of poverty, parricide, ghosts, and untimely deaths, but they do pose some hard questions about the world outside our windows.
A surprisingly incisive rendering of a shattered society—or, just another world gone wrong.Pub Date: May 12, 2020
ISBN: 978-1-911508-70-0
Page Count: 352
Publisher: And Other Stories
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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