Former pro-football player Green (Ruffians, 1993) fumbles his way through a second attempt at a suspense novel. The star quarterback of last year's Super Bowlwinning New York Titans, Hunter Logan is a nice guy who can be counted on by his teammates and family. What makes this dependable, straight guy place an illegal $10,000 basketball bet is a mystery (Green is apparently trying, implausibly, to create a situation from which it seems impossible for the hero to escape), but this indiscretion is documented by mobster Tony Rizzo, who has been dating the daughter of the Titans' owner in order to gain an inside edge in gambling. Tony plans to use Hunter in a point-shaving scheme that could net the mobster millions and gain him the coveted rank of godfather, now held by his uncle, Vinny Mondolffi. Tony is closely followed by FBI agent Ellis Cook, who could have implicated the Mondolffi family in a mob murder early in the book had he not blown it by flashing his badge and making himself so conspicuous that you wonder how such a dim-witted fellow made it through FBI training camp. When Hunter is trapped by Tony's threats against his wife and child, Ellis makes contact with him. Together they plot to bring down Tony, but their progress is impeded by an agent who is so obviously a rat for the mob that he might as well have been introduced as such in his first appearance. Other would-be surprises are similarly spoiled by Green's awkward use of foreshadowing, in which future elements are indicated as if with a neon sign. This is not so much a copycat of books in this genre as it is a regurgitation of commercial movies. Except for the inside look at pre-season training and pre-game breakfasts, we've seen it all before. A poor effort with yawn-inducing results.
Pub Date: Sept. 1, 1994
ISBN: 1-57036-057-X
Page Count: 464
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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