Cheery and affirming.
A book to read—and sing—about making and then moving past mistakes.
Children’s musician Kubart offers advice akin to that found in the Sesame Street song “Everyone Makes Mistakes So Why Can’t You?” in this, his first picture-book text. Richmond’s bright and cheery multimedia illustrations interpret the text to follow a child through one day at home and school. Minor mishaps (or “oopsies”) punctuate the comings and goings, but the diverse cast around the child (who has brown skin and straight, dark hair) embodies the text’s encouraging tone in illustrations that depict their shows of support. “Oopsies can happen and get in your way, / but that doesn’t mean they should ruin your day,” reads the opening spread as the child arrives at school with parent and baby sibling. From there, the child spills fish food on the floor, among other mistakes, and after each incident, the text repeats the titular refrain, along with an accompanying picture showing the mishap resolved. The child’s roll-with-the-punches attitude, in turn, allows easy accommodation of muddy paw prints tracked through the house and spaghetti tossed by the baby all over a beloved teddy bear. A link to the song on the publisher’s website is promoted on the cover.
Cheery and affirming. (Picture book. 1-4)Pub Date: May 1, 2018
ISBN: 978-0-06-257303-2
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2018
Kirkus Reviews Issue: March 1, 2018
This will have readers putting on their dancing shoes to do the “cha cha cha” with their dino-babies
It's not the first time dinosaurs have been featured in a clever Boynton board book. It seems she—and we—can't get enough.
As her fans know, Boynton has a sly wit that respects the intelligence of her young fans and amuses the adults asked to “read it again.” In this book she introduces nine dinosaurs, each of which dances in a way that seems totally appropriate for that particular species. “The blue Stegosaurus goes SHIMMY SHIMMY SHAKE. / The red Brontosaurus goes QUIVERY QUAKE.” Drawing on her experience as a children’s musician, she writes a text that trips along like a song with rhymes that make sense but don't intrude. The illustrations, typical Boynton, reflect her greeting-card background. They are cartoonish but manage to capture the unique personality of each creature. The unnamed dinosaur narrator looks genuinely distraught at not being able to name the “tiny little dino” that “goes DEEDLY DEE.” Spoiler alert: the tiny little dinosaur is probably Compsognathus and would be about the size of a small chicken. Young dinophiles would be impressed if the dinosaurologists in their lives could supply that factoid, but alas, they will have to look it up.
This will have readers putting on their dancing shoes to do the “cha cha cha” with their dino-babies . (Board book. 1-3)Pub Date: Aug. 30, 2016
ISBN: 978-1-4814-8099-4
Page Count: 16
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The history of music is a big topic, and more-nuanced explanation is needed than the format allows.
This ambitious board book aims to promote an eclectic appreciation for music of all kinds.
Music, from drumming to computer-generated sound, is introduced as a linear historical sequence with two pages devoted to each of 11 styles, including medieval European, orchestral, blues, and more. Most of the musicians are portrayed as children, many with darker skin tones and with hairstyles and garb commonly associated with each type of music. Radford works in a retro cartoon mode, varying his presentation slightly with each new musical style but including a dancing dachshund on almost every spread, presumably to enhance child appeal. Unfortunately, the book just can’t succeed in reducing such a wide range of musical styles to toddler-appropriate language. The first two spreads read: “We start with clapping, tapping, and drums. // Lutes, flutes, and words are what we become.” The accompanying illustrations show, respectively, half-naked drummers and European court figures reading, writing, and playing a flute. Both spreads feature both brown-skinned and pale-skinned figures. At first reading this seems innocent enough, but the implication that clapping and drumming are somehow less civilized or sophisticated than a European style is reinforced in Stosuy’s glossary of music terms. He describes “Prehistoric Music” as “rhythmic music [made] with rocks, sticks, bones, and…voices,” while “Renaissance Music” is defined as “multiple melodies played at the same time.”
The history of music is a big topic, and more-nuanced explanation is needed than the format allows. (Board book. 2-4)Pub Date: Aug. 21, 2018
ISBN: 978-1-5344-0941-5
Page Count: 32
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Aug. 13, 2018
Kirkus Reviews Issue: Jan. 1, 2019
BOOK REVIEW
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