by Tim Mackintosh-Smith ‧ RELEASE DATE: May 1, 2019
A marvelous journey brimming with adventure and poetry and narrated by a keen, compassionate observer.
An engaging history of the Arab world by a Yemen-based Westerner thoroughly versed in Arabic.
One clarifying theme runs throughout this extensive, illuminating narrative of the Arab people from ancient to modern times: language. Long before the writing of the Quran, the language that “evolved on the tongues of tribal soothsayers and poets…has long, perhaps always, been the catalyst of a larger Arab identity.” Arabist and translator Mackintosh-Smith (Yemen: The Unknown Arabia, 2014, etc.), a senior fellow at the Library of Arabic Literature who has lived in the Arab world for 35 years, structures his study around “three waves of unity” in Arab history that originated from the “momentum of ’arabbiyyah, the high language par excellence.” These included the slow, ancient tribal agitation of self-awareness; the “tsunami” of conquest inspired by Muhammad’s Quranic recitations; and the 19th-century nationalism awakened by Napoleon’s conquest. “That last wave,” writes the author, “is still breaking now.” Throughout this impressive book, Mackintosh-Smith grapples with coexisting “rationalities” of Arab history: the “settled” society, or the civil polity where people lived together in a town; and the Bedouin or nomadic tradition. The rugged, dry terrain and lack of fresh water kept the people of the Arabian subcontinent in perpetual mobility (another theme) and imparted the masterful pairing of two beasts of burden—the camel and horse—that enabled the Arabs’ transformation from “plodding hauliers into dashing warriors.” The author demonstrates the power of rhetoric by the orator-leaders who “gathered the word”—of the people, recorded battles, etc.—even before Muhammad channeled that energy in disciplined Quranic teaching and embarked on his state-building years in Medina. Over the course of an extensive, consistently fascinating history, Mackintosh-Smith expertly picks and chooses his details and analyses, providing an admirably complete picture of a consistently misunderstood part of world history and culture. In addition to illustrations and maps, the author includes a useful chronology delineating both “events” and elements of “language, culture, society, identity.”
A marvelous journey brimming with adventure and poetry and narrated by a keen, compassionate observer.Pub Date: May 1, 2019
ISBN: 978-0-300-18028-2
Page Count: 656
Publisher: Yale Univ.
Review Posted Online: March 2, 2019
Kirkus Reviews Issue: March 15, 2019
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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