At once sobering and entertaining, a eulogy for a GOP run amok.
A former GOP operative explores possible reasons why so many of his peers fell for Trumpism.
“Why in the fuck did the vast, vast, vast majority of seemingly normal, decent people whom I worked with go along with the most abnormal, indecent of men? And why hadn’t I seen it coming?” So wonders Miller, a communications whiz who locates the demise of the reasonable Republican Party of old in several key events of the last two decades. One was John McCain’s acceding to cynicism in adding Sarah Palin to the ticket—but more, when he pandered to the tea party mob with demands to end immigration from Mexico with his “complete the danged fence” rhetoric, “a nakedly halfhearted version of the Build. The. Wall. chant that was to come.” Numerous other stomach-churning turning points figure in the triumph of Trumpism, aided and abetted by an array of actors: the “LOL Nothing Matters Republicans” who “had decided that if someone like Trump could win, then everything that everyone does in politics is meaningless”; the “Tribalist Trolls” who demanded that nationalist ideas take center stage; and the “Inert Team Players” who couldn’t imagine doing anything apart from being loyal Republicans, so much so that “the idea of being anything besides that is inconceivable.” There were also countless self-serving, self-dealing players who attached themselves to Trump in the hope of taking a share of the big grift. While delivering a carefully argued account of how things went awry, Miller is unsparing in his descriptions of latter-day GOP figures such as Elise Stefanik, who “made a conscious choice to go all-in with her own personal Voldemort because she came to recognize that her popularity, fundraising, and ability to rise within the party would benefit”; and Corey Lewandowski, “a shriveled skin-flute-looking man with no appreciable skills outside of recognizing the popularity of unrestrained Trumpism.”
At once sobering and entertaining, a eulogy for a GOP run amok.Pub Date: June 28, 2022
ISBN: 978-0-06-316147-4
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: May 9, 2022
Kirkus Reviews Issue: June 1, 2022
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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