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THE NUCLEAR AGE

It's been noticed by historians that when centuries turn they also encourage lots of end-of-the-world fantasies and falderal. O'Brien (Going After Cacciato, 1978) seems here to have fleshed out a brace of short stories, then made of this novel-length amalgam something that tries to be explosive—with a big, long fuse of apocalypticism. But this centerless, flogged-on, and jerry-built bomb of a book just sits there and fizzles, on and on and on. . . Short story #1—and the better of the two—concerns the youth of William Cowling. We see him in 1995, as he's digging an enormous hole outside his Montana home, not precisely sure whether he means to hide himself and his family in it before a nuclear holocaust—or whether he means to bring that about himself. What's clear, though, is that William has always been nuke-spooked. As a child in the Fifties, he fashioned a shelter for himself from a ping-pong table covered with lead pencils; such behavior moved his parents to take him to a psychologist even more spooked than William was. The period flavor here is outstanding innocence meeting infinity in nightmare. Short-story #2, which accounts for much more of the book, is unfortunately another matter. Here it's William gone to college in Montana, meeting up with Sarah Stouch, a cheerleader who, under the relentless pressures of the Vietnam-era, moves from pom-poms to clandestine arms-hoarding and terrorism. William and Sarah cleave to one another despite his better sense—but the scenes of their terrorist activities have to be some of the least credible, most cardboard in recent fiction. Sarah is too mercurial, William too sappy; the other characters are out of a comic book, without a hint of the truly murderously dangerous ineptitude of the kind in a book like, say, Max Crawford's The Bad Communist. Plot-shoots invariably seem forced; William has a consciousness that streams but never dams; and O'Brien's obviously strenuous effect at the end seems all to be for this: "What's wrong with me? Why am I alone? Why is there no panic? Why haven't governments been toppled? Why do we tolerate our own extinction? Why do our politicians put warnings on cigarette packs and not on their own foreheads? Why don't we scream it? Nuclear war!" This book—elaborately cobbled-up but weightless, trivial—almost answers these questions perfectly.

Pub Date: Oct. 10, 1985

ISBN: 0140259104

Page Count: 320

Publisher: Knopf

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Sept. 15, 1985

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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