This dependably lively British author (Tongues of Flame, 1986, etc.) scores again with his story of a devil-take-the-hindmost yuppie challenged by the birth of a deformed baby. When George Crawley was very young, his missionary father died an unnecessary martyr's death in Africa and endangered the entire family. Back in England, watching his selfless mother, another indefatigable Christian, slaving for his unappreciative grandfather and retarded Aunt Mavis in their shabby home, George derides ``the saving...of souls.'' If his mother wants to live on ``the planet Goodness,'' fine; George will look out for George. He quickly escapes his embarrassing family, marries money (happily, he's also in love with the charming Shirley), and lands an excellent job designing computer software. Life is a childless, double-income paradise until Shirley does a U-turn and decides she wants a kid; after stormy arguments, she gets her way. Hilary is born with a rare condition akin to Down's syndrome. How could this be? Then it dawns on George: Aunt Mavis! Bad genes! Why was he never warned not to have children? After venting his fury on his grandfather, he casts around for a solution; but an operation leaves Hilary worse off, and the faith-healer cannot work a miracle. George is no monster; his love for his baby girl equals Shirley's, but his nature craves action—which means (ultimately) euthanasia, which means a cleansing fire: he will sacrifice their beautiful house for a new, childless life. Parks provides a stunning climax in which George, against the odds, saves his own soul. The brisk, slangy style here is an effective antidote to the downbeat material; this is not a gloomy book. Even more skillful is Parks's characterization of George: we watch this guy raining blows on a helpless old man and yet retain some sympathy for him. Nice work.
Pub Date: Oct. 1, 1991
ISBN: 0-8021-1390-7
Page Count: 192
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1991
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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