Enchanting travels with the good-natured Parks.
English-born expat novelist Parks (The Server, 2012, etc.) pokes affectionate fun at his fellow train travelers and surveys a rapidly changing Italian landscape.
Since 1981, the author has lived in Italy and supplemented his fiction with a series of charming memoirs about his experiences there, beginning with Italian Neighbors (1992). Here, he chronicles his adventures on the nation's rails, which became his preferred mode of travel while commuting from his home in Verona (his wife’s native turf) to his teaching job at the university in Milan. Train travel in Italy is the ultimate leveler, Parks finds, and it provides a microcosm of what is transpiring in the society as a whole since globalization has taken root. His observations mingle travelogue, history and memoir, spanning the years from 2005 to the present. During that period, parts of the main state railway, Trenitalia, were split off into private lines; regional routes were streamlined; faster trains were added to accommodate EU travelers; and reserved and class-oriented seating was introduced, along with some bewildering ticket machines. Anyone who has ever battled a provincial government functionary in Europe will be heartily amused by Parks’ anecdotes about the finer points of choosing the correct ticket from an officious clerk or getting a ticket validated with the requisite stamp. His renderings of the comical pronunciations featured in well-intentioned English public-address announcements are also funny. Parks divides the passengers into several categories: chatty; objectionable; resigned; long-suffering; pignolo, which means the stickler who obeys each rule to the letter; and (an inevitability in Italy) furbo, the sly one who tries to get around every rule. Our intrepid traveler evolves from being disoriented by the newly renovated Milano Centrale station to being capable of negotiating a trip all the way south to Otranto and back. His journeys renew his sense of being eternally an outsider in Italy, yet he also recognizes how warmly he has taken to his adopted country.
Enchanting travels with the good-natured Parks.Pub Date: June 10, 2013
ISBN: 978-0-393-23932-4
Page Count: 320
Publisher: Norton
Review Posted Online: March 23, 2013
Kirkus Reviews Issue: April 15, 2013
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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