Pears’ achievement is in his fine evocation of an era that's largely been lost and in his attention to the natural world.
Battle, its aftermath, and the dawning of a new era shape the third episode of Pears’ (The Wanderers, 2018, etc.) epic tale of love—love for the land and between two long-separated souls.
The pace rarely quickens in this deliberate concluding volume of Pears’ trilogy of early-20th-century life, set in England’s West Country during the transition from old farming and landscape traditions, through war, into the mechanical age. Nevertheless, separate moments of intense drama mold the lives of both landowner’s daughter Lottie Prideaux and carter’s son Leo Sercombe, who was cast out by his family years earlier. Like Ulysses, Leo has journeyed through multiple landscapes and perils before returning to the estate. As the novel opens he’s a boy seaman in World War I, aboard HMS Queen Mary and about to enter the Battle of Jutland, which will see the death of nearly the entire crew, more than a thousand men and boys. Leo survives to become a deep sea diver, spending the postwar years helping salvage the scuttled German fleet at Scapa Flow and earning the money to buy himself “a field. A horse. A home.” Lottie, meanwhile, is pursuing an interest in animal care and will become one of the first women to train as a vet. The stage is long set for the reunion of this pair whose class-spanning commitment to each other was made in childhood, but not before Pears once again lays down intensely detailed descriptions of work—in the navy, in the salvage business, in stables, fields, and barns—across the years. "Time proceeds along its ever-onward spiral. We join it for a moment," he observes, and in due course Leo and Lottie will converge. This book is less a climax, more the return of the native.
Pears’ achievement is in his fine evocation of an era that's largely been lost and in his attention to the natural world.Pub Date: July 23, 2019
ISBN: 978-1-63557-382-4
Page Count: 400
Publisher: Bloomsbury
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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