A sterling example of why investigative journalists are valuable during an era of deep, broad and unconscionable government...
Private corporations employing former high-ranking federal government and military officials are making huge profits from secret contracts with the CIA, NSA and various baronies in the Defense Department, avers freelance journalist Shorrock.
In his first book, the author penetrates the covert worlds of corporations with names like CACI International Inc., Mantech International and Booz Allen Hamilton, as well as government agencies spending tens of billions of taxpayer dollars with no accountability. Dozens of previous titles have examined U.S. failures of information collection and analysis, especially leading up to and after 9/11. Shorrock excavates new dirt by focusing on the business of intelligence: the bottom line in dollars at the private corporations that win government contracts, often without competitive bidding or even public disclosure. The author does a remarkable job of learning as much as he can: gaining entry into conventions of defense contractors usually closed to journalists; sitting through the hearings of congressional committees whose members are regularly stonewalled by the government agencies they are supposed to oversee; reading through partially declassified documents. Peppered with acronyms, descriptions of highly technical hardware and hundreds of unfamiliar names both corporate and human, the book can be difficult to read, but Shorrock’s prose is lucid, his passionate brief for open government inspiring. Occasionally, he describes fiascoes already known to the public, such as the nasty interrogation techniques at Abu Ghraib, that illuminate the shadowy role of private corporations performing highly profitable contracted duties once handled by government employees. Shorrock forcefully makes the case that only members of Congress, ostensibly accountable to the citizens who elected them, can halt the inefficiencies and occasional outright financial corruption emanating from the private contractor/intelligence agency nexus.
A sterling example of why investigative journalists are valuable during an era of deep, broad and unconscionable government secrecy.Pub Date: May 1, 2008
ISBN: 978-0-7432-8224-6
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2008
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
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