An indomitable man guides his Jewish family through the horrors of World War II in Eastern Europe in this debut novel.
Readers meet Elazar Gershovich in 1922. But the backstory is that, in 1903, the Gershoviches were living a comfortable life in Kishinev, Moldova, when the Christians attacked the Jews in a pogrom. Little Elazar was thrown from a window, his brother Hershel had his leg broken, their mother was gang-raped, and two siblings were murdered. The family fled north to Kalarash, Moldova, and started over. Now, Elazar is an accomplished violinist in his musical family (Papa loves the accordion, Mama prefers the clarinet, and Hershel plays percussion). Yet the protagonist longs to test his wings. But first, what he really wants is a girlfriend. He becomes smitten with Ita Kaplan, a winsome young artist from a wealthy family. Unfortunately, she plans to join her three sisters in Paris, and France is too daunting for Elazar. Then there is Mariam Gabashvili, but, since she’s not Jewish, Papa forbids the match. Soon, plans change for Ita (because of the political landscape), and so she marries Elazar and they have two children, Rivka and Ira. When the war comes, Elazar and his family and Hershel and his wife—their two sons are conscripted by the Russians—flee east ahead of the German bombardment. After a monumental trek—on foot, by train, and by boat—they end up in Uzbekistan for the duration of the war. Lice are a constant scourge, and these pests are probably responsible for a family member contracting typhus. At war’s end, Elazar and his clan make their way back to Moldova and the bombed-out ruins. But will the treasure that Elazar buried in the backyard in Kalarash and the violin he hid in the cellar still be there? Will there be music as these irrepressible survivors try to rebuild their lives?
Turner and Gorbaty’s engaging debut novel is promising and timely, considering what is going on in the main protagonist’s part of the world. Elazar, the narrator, carries the story and will win readers over right from the start. There is subtle humor in his desperate search for his dream girl, equal parts idealism and lust. And Ita is a surprise. Readers will expect that coming from an affluent family, she would not be able to handle adversity. But when the world comes crashing down, she is by no means a quitter. She is in fact a resourceful mother and loving wife through thick and thin (mostly thin). And Elazar is forever the optimist because positivity costs nothing, and pessimism is pointless, at least in his eyes. A scene involving the family member fighting typhus is beautiful and poignant (Dickens would approve). Of course, in war everyone suffers, and one would hope that the misery would bring common understanding and forbearance. But not in Moldova. In the Kalarash shtetl, a simple code evolves. In a precarious universe, you live every day as if it’s your last, so “one: have some fun, two: try to do some good, and three: don’t screw anyone over too badly.” Surely, there are more exalted codes of conduct, but these people are not given to moral preening.
A moving family tale with a strong cast that readers will love.