The prolific Winton (The Riders, 1995; etc.) has stooped to the mawkish in this tale about world ecology that as message is indisputable but that as fiction is inane. Abel Jackson's forebears were whalers, his father a pearl- diver whose life was ended by a shark. When this tiny slip of a story opens, Abel is ten years old and living a life of hard but edenic subsistence with his mother on the family property that's squeezed along the coastline, a national park behind it, the bay, headland, and open sea n front. Part of the pair's income derives from snorkel-diving for abalone off Robbers Head, and it's a sign of the times when, after the good abaloner Mad Macka dies of a heart attack, he's replaced by the villain Costello, a rapist of the sea (unlike the good Abel and his mother, who take ``a couple of abalone from each clump, leaving the rest to breed and grow''). Costello is run off by the law after a heroic and admittedly dramatic intervention by Abel and his mom, but there are other woes in store for the sea. ``Things aren't the same, Abel,'' says mother. ``It's getting harder to hold on to good things.'' After unexplained fish kills (``The ocean is sick,'' says mom. ``Something is wrong''), Abel determines that he'll go ``to university to figure out the sea.'' His international career as a marine biologist takes him far from home, mother, and the enormous, blue, friendly groper he played with off Robbers Head throughout his boyhood. But age, time, and another disaster will bring him back forever to care for mother, baynow declared a sanctuarywife, and new family. Psychologically and in every other way a YA, though apparently aimed at an adult trade audience. Pretty writing (a baby girl has ``fists. . . like pink seashells'' and ``cried like a bird'') helps offset the simplistic elements of the whole.
Pub Date: March 1, 1998
ISBN: 0-684-84565-2
Page Count: 96
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1998
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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