THE ADVENTURES OF TOBY BAXTER

In this middle-grade novel, a teenager journeys to a Tolkien-inspired fantasy land to act as its hero.

On the day before his 13th birthday, Toby Baxter looks out the classroom window and sees what appears to be a hobbit. Toby is into comic books and Marvel movies, not literary fantasies like Tolkien’s The Hobbit and C.S. Lewis’ The Lion, the Witch and the Wardrobe. Still, when he wakes at night to find a middle-aged man named Author in his room, he can’t help following him through the closet and into his own adventure. Toby is transported to a world where his coming is foretold and he is known as a hero. There is a magic sword encased in rock, inscribed “I.C.E. Call Toby Baxter.” The hobbit Toby saw turns out to be an elf wearing hairy boots. The elves are at war with the trolls, and though they try to live normal lives (eating large meals and playing Australian rules football), another crisis has arisen in this long conflict. Can Toby lead his new friends to victory or will Clygon, Tribal Chief of the trolls, steal his power? Through his actions, what sort of hero does Toby aspire to be? Wright employs a jocose narrative style, telling the story from Toby’s perspective (third person, past tense) but with sporadic authorial asides: “Every sound startled him. Every birdcall caused him to duck—did he just step into a pun?—until he finally relaxed.” Toby is a typical middle-class American teen who carries much of his real-world personality into the fantasy setting. He is quick to suspend disbelief yet never entirely unaware of reality. Though fired by determination and assailed by doubts, he remains happy-go-lucky and too easily distracted by food. Wright reimagines stock fantasy characters (elves, trolls, gnomes) to be more everyday in their outlooks, less a product of quest narrative requirements. While there are perhaps too many elven characters with too little to distinguish them, their society as a whole has more personality than most. The story moves at a good pace, albeit with plenty of asides, and offers a laudable twist (a Star Wars–esque “don’t give in to the dark side”). Young fantasists will enjoy having their eyes opened.

Lighthearted and conspiratorially didactic; an agreeable romp toward adulthood.